We should keep a careful diary of our moments of envy: they are our covert guides to what we should try to do next.
In Britain, because I live here, I can also run into problems of envy and competition. But all this is just in a day's work for a writer. You can't put stuff out there without someone calling you a complete fool. Oh, well.
According to Montaigne, it was the oppressive notion that we had complete mental control over our bodies, and the horror of departing from this portrait of normality, that had left the man unable to perform sexually.
We may not agree with what religions are trying to teach us, but we can admire the institutional way in which they're doing it.
as the determinants of high status keep shifting, so, too, naturally, will the triggers of status anxiety be altered.
Our jobs make relentless calls on a narrow band of our faculties, reducing our chances of achieving rounded personalities and leaving us to suspect (often in the gathering darkness of a Sunday evening) that much of who we are, or could be, has gone unexplored.
Architects themselves tend to shy away from the word, preferring instead to talk about the manipulation of space.
For all his understanding of worldly concerns, when it came to fathoming the deeper meaning of his own furious activity, Sir Bob displayed the sort of laziness for which he himself had no patience in others. He appeared to have only a passing interest in the overall purpose of his financial accumulation.
Our bodies hold our minds hostage to their whims and rhythms.
We might have been ready to offer sympathy, but in actuality there were stronger reasons to want to congratulate her for having found such a powerful motive to feel sad. We should have envied her for having located someone without whom she so firmly felt she could not survive, beyond the gate let along in a bare student bedroom in a suburb of Rio. If she had been able to view her situation from a sufficient distance, she might have been able to recognise this as one of the high points in her life.
Rather than employing it as a supplement to active, conscious seeing, they used the medium as a substitute, paying less attention to the world than they had done previously, taking it on faith that photography automatically assured them possession of it.
Instead of bringing back 1600 plants, we might return from our journeys with a collection of small unfêted but life-enhancing thoughts.
How do the stems connect to the roots?' 'Where is the mist coming from?' 'Why does one tree seem darker than another?' These questions are implicitly asked and answered in the process of sketching.
Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
Artistic accounts involve severe abbreviations of what reality will force upon us.
It is no coincidence that the Western attraction to sublime landscapes developed at precisely the moment when traditional beliefs in God began to wane.
Alcohol-inspired fights are a reminder of the price we pay for our daily submission at the altars of prudence and order.
It would be foolish to describe the logistics hub as merely ugly, for it has the horrifying, soulless, immaculate beauty characteristic of many of the workplaces of the modern world.
It seems, in fact, that the more advanced a society is, the greater will be its interest in ruined things, for it will see in them a redemptively sobering reminder of the fragility of its own achievements. Ruins pose a direct challenge to our concern with power and rank, with bustle and fame. They puncture the inflated folly of our exhaustive and frenetic pursuit of wealth.
Anxiety is the handmaiden of contemporary ambition.
A world where a majority had imbibed the lessons implicit within tragic art would be one in which the consequences of our failures would necessarily cease to weigh upon us so heavily.
We should not be frightened by appearances.
There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.
The activities of drawing, eating and drinking, all involve assimilations by the self of desirable elements from the world, a transfer of goodness from without to within.
We depend on our surroundings obliquely to embody the moods and ideas we respect and then to remind us of them. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We arrange around us material forms which communicate to us what we need — but are at constant risk of forgetting what we need — within. We turn to wallpaper, benches, paintings and streets to staunch the disappearance of our true selves.
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