Art is the only way to run away without leaving home.
Art is an investigation.
Creativity is an act of defiance.
Every work of art needs a spine – an underlying theme, a motive for coming into existence. It doesn't have to be apparent to the audience. But you need it at the start of the creative process to guide you and keep you going.
Creativity is more about taking the facts, fictions, and feelings we store away and finding new ways to connect them. What we're talking about here is metaphor. Metaphor is the lifeblood of all art, if it is not art itself. Metaphor is our vocabulary for connecting what we are experiencing now with what we have experienced before. It's not only how we express what we remember , it's how we interpret it - for ourselves and others.
dance is simply the refinement of human movement - walking, running, and jumping. We are all experts. There should be no art form more accessible than dance, yet no art is more mystifying in the public imagination.
Creativity is a habit, and the best creativity is a result of good work habits.
I'm not one who divides music, dance or art into various categories. Either something works, or it doesn't.
Metaphor is the lifeblood of all art.
If art is the bridge between what you see in your mind and what the world sees, then skill is how you build that bridge.
Art is running away without ever leaving home.
I learned very early that an audience would relax and look at things differently if they felt they could laugh with you from time to time. There's an energy that comes through the release of tension that is laughter.
I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that far apart.
Confidence is a trait that has to be earned honestly and refreshed constantly; you have to work as hard to protect your skills as you did to develop them. . . The one thing that creative souls around the world have in common is that they all have to practice to maintain their skills. Art is a vast democracy of habit.
when dancing is right, the movement possesss a logic common to us all, an inevitability that takes it beyond the personal and egocentric and makes of it classical art.
Dance is the stepchild of the arts.
If you're speaking of love, you really must include the element of uncertainty - and perhaps it's best approached as the art of constant maintenance.
The art of these Fifties movies was in sustaining forever the moment before sex.
Whenever I feel I'm working in a groove it's invariably because I feel I am being the benefactor in the situation rather than the beneficiary. I am sharing my art with others, lending my craft to theirs, interest-free with no IOU.
The disasteris not the money, although the money will be missed. The disaster is the disrespect--this belief that the arts are dispensable, that they're not critical to a culture's existence.
There are so few people who can really take hold of art and sort of eat and chew it up. Somehow it's got to be held special, sacred in a corner, and if you don't do the same thing with it, if you're not equally reverential, serious, and pompous about it, well, then you're not a great artist. Who needs that?
While most people in the arts think they have to be constantly looking forward to be edgy and creative....the real secret of creativity is to go back and remember.
One clear difference between art and commercial work is that commercial work is exploitive: the work may be high quality but the intention is to sell product or tickets. Art exists with or without ticket sales.
It takes skill to bring something you've imagined into the world: to use words to create believable lives, to select the colors and textures of paint to represent a haystack at sunset, to combine ingredients to make a flavorful dish. No one is born with that skill. It is developed through exercise, through repitition, through a blend of learning and reflection that's both painstaking and rewarding. And it takes time. . . . If art is the bridge between what you see in your mind and what the world sees, then skill is how you build that bridge.
if you want to create art, you'd best have a deep belief in yourself and no ulterior motives.
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