By the end of the time I'm writing a book, I'm tearing my hair out and I want to go do stand-up. And then I want to do something else. I don't know why it is true with me that I can't just be satisfied doing the one thing, but I'm constantly flitting from one thing to another.
My process is surprisingly straightforward. I find myself with little to do over a stretch of time and I say, "I should write children's books today." Then I sit down and write a children's book, and if it takes more than, realistically, three hours, I feel like I've done something wrong.
I don't really read children's books or deal with children's books, so I don't have any relationship with them other than my own.
The illustrators work so much harder on the books than the writers do. I mean, that's so much work doing what they do, and it's terrible for them.
If I revise a children's book, if I'm spending three hours on the first draft, I'm probably spending 30 minutes revising it. I mean, come on! But to redo a painting? That's hard work.
Kids love to be silly, they love to laugh, so I think it was natural for my kids to like the sort of books that I write - and it's the only kinds of books I'm capable of writing.
You can't write a children's book that takes more than five or six minutes to read, because it will drive the parents batty. It has to be compact. Nobody thinks about the parents when they write these stupid books. I could write longer children's books, but it would actually be bad if I did.
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