William Styron Quotes - Page 2

Quotes about:

• What I really mean is that a great book should leave you with many experiences, and slightly exhausted at the end. You live several lives while reading it.

  William Styron

  Book, Reading, Good Book

  "Conversations with William Styron".

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• I thought there's something to be said for honor in this world where there doesn't seem to be any honor left. I thought that maybe happiness wasn't really anything more than the knowledge of a life well spent, in spite of whatever immediate discomfort you had to undergo, and that if a life well spent meant compromises and conciliations and reconciliations, and suffering at the hands of the person you love, well then better that than live without honor.

  William Styron

  Hands, Honor, Suffering

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• I think that one of the compelling themes of fiction is this confrontation between good and evil.

  William Styron

  Thinking, Evil, Fiction

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• In Paris on a chilling evening late in October of 1985 I first became fully aware that the struggle with the disorder in my mind - a struggle which had engaged me for several months - might have a fatal outcome.

  William Styron

  Struggle, Paris, Mind

  "Darkness Visible". Book by William Styron, 1990.

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• Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.

  William Styron

  Witty, Voice, Giving

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• I felt the exultancy of a man just released from slavery and ready to set the universe on fire.

  William Styron

  Men, Fire, Burning

  William Styron (2015). “My Generation: Collected Nonfiction”, p.397, Random House

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• The pain of severe depression is quite unimaginable to those who have not suffered it.

  William Styron

  Pain, Anguish, Unimaginable

  William Styron (1990). “Darkness visible: a memoir of madness”, Random House Incorporated

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• I have learned to cry again and I think perhaps that means I am a human being again. Perhaps that at least. A piece of human being but, yes, a human being.

  William Styron

  Sadness, Mean, Thinking

  William Styron (1979). “Sophie's Choice”, Random House Large Print Publishing

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• I felt myself no longer a husk but a body with some of the body's sweet juices stirring again. I had my first dream in many months, confused but to this day imperishable, with a flute in it somewhere, and a wild goose, and a dancing girl.

  William Styron

  Girl, Dream, Sweet

  William Styron (1990). “Darkness visible: a memoir of madness”, Random House Incorporated

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• From the writer's point of view, critics should be ignored, although it's hard not to do what they suggest. I think it's unfortunate to have critics for friends. Suppose you write something that stinks, what are they going to say in a review? Say it stinks? So if they're honest, they do, and if you were friends you're still friends, but the knowledge of your lousy writing and their articulate admission of it will be always something between the two of you, like the knowledge between a man and his wife of some shady adultery.

  William Styron

  Writing, Men, Thinking

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• The madness of depression is, generally speaking, the antithesis of violence. It is a storm indeed, but a storm of murk. Soon evident are the slowed-down responses, near paralysis, psychic energy throttled back close to zero. Ultimately, the body is affected and feels sapped, drained.

  William Styron

  Depression, Zero, Psychics

  William Styron (2010). “Darkness Visible: A Memoir of Madness”, p.25, Open Road Media

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• Let's face it, writing is hell.

  William Styron

  Writing, Faces, Hell

  William Styron, James L. W. West (1985). “Conversations with William Styron”, p.9, Univ. Press of Mississippi

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• I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph—each sentence, even—as I go along.

  William Styron

  Writing, Thinking, Hands

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• I'm simply the happiest, the placidest, when I'm writing, and so I suppose that that, for me, is the final answer. ... It's fine therapy for people who are perpetually scared of nameless threats as I am most of the time.

  William Styron

  Writing, People, Finals

  William Styron, James L. W. West (1985). “Conversations with William Styron”, p.10, Univ. Press of Mississippi

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• We would have to settle for the elegant goal of becoming ourselves.

  William Styron

  Acceptance, Goal, Becoming

  William Styron (2015). “My Generation: Collected Nonfiction”, p.519, Random House

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• A disruption of the circadian cycle—the metabolic and glandular rhythms that are central to our workaday life—seems to be involved in many, if not most, cases of depression; this is why brutal insomnia so often occurs and is most likely why each day’s pattern of distress exhibits fairly predictable alternating periods of intensity and relief.

  William Styron

  Insomnia, Patterns, Relief

  William Styron (2010). “Darkness Visible: A Memoir of Madness”, p.16, Open Road Media

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• This was not judgment day - only morning. Morning: excellent and fair.

  William Styron

  Morning, Judgment, Excellent

  William Clark Styron (2013). “The Collected Novels: Lie Down in Darkness, Set This House on Fire, The Confessions of Nat Turner, and Sophie's Choice”, p.2059, Open Road Media

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• A great book should leave you with many experiences.

  William Styron

  Book, Should, Inspirational Reading

  William Styron, James L. W. West (1985). “Conversations with William Styron”, p.12, Univ. Press of Mississippi

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• The good writing of any age has always been the product of someone's neurosis.

  William Styron

  Writing, Age, Neurosis

  William Styron, James L. W. West (1985). “Conversations with William Styron”, p.19, Univ. Press of Mississippi

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• Every writer since the beginning of time, just like other people, has been afflicted by what a friend of mine calls

  William Styron

  People, Mines, Has Beens

  William Styron, James L. W. West (1985). “Conversations with William Styron”, p.17, Univ. Press of Mississippi

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• In Vineyard Haven, on Martha's Vineyard, mostly I love the soft collision here of harbor and shore, the subtly haunting briny quality that all small towns have when they are situated on the sea

  William Styron

  Sea, Quality, Vineyards

  William Styron (2015). “My Generation: Collected Nonfiction”, p.631, Random House

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• And when you get an eminent journal like Time magazine complaining, as it often has, that to the young writers of today life seems short on rewards and that what they write is a product of their own neuroses, in its silly way the magazine is merely stating the status quo and obvious truth. The good writing of any age has always been the product of someone's neurosis, and we'd have a mighty dull literature if all the writers that came along were a bunch of happy chuckleheads.

  William Styron

  Silly, Writing, Today Life

  "Conversations with William Styron".

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• For a person whose sole burning ambition is to write - like myself - college is useless beyond the Sophomore year.

  William Styron

  Writing, Ambition, College

  William Styron (2012). “Selected Letters of William Styron”, p.23, Random House

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• The stigma of self-inflicted death is for some people a hateful blot that demands erasure at all costs.

  William Styron

  Suicide, Self, People

  William Styron (1990). “Darkness visible: a memoir of madness”, Random House Incorporated

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• Many of the artifacts of my house had become potential devices for my own destruction: the attic rafters (and an outside maple or two) a means to hang myself, the garage a place to inhale carbon monoxide, the bathtub a vessel to receive the flow from my opened arteries. The kitchen knives in their drawers had but one purpose for me.

  William Styron

  Mean, Knives, Two

  William Styron (2010). “Darkness Visible: A Memoir of Madness”, p.27, Open Road Media

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