In my mind the city of Ariel is a thorn in Israel's side and a serious obstacle to peace.
'Visiting Mr. Green' is a good play. I enjoy being in it, and I have a wonderful colleague, Aidan deSalaiz, to work with. Audiences like it a lot. What's not to like?
You learn more from the flops than from the hits.
It's a sad thing to contemplate, but I'm the last surviving cast member of 'The African Queen.'
I am first, and foremost, an actor. That's what I am. To me, a song is a mini-drama. My musical ability informs the actor as well because it gives me a sense of timing that non-musicians don't have. So, one hand washes the other.
When something is moving you get that intake of breath and that stillness from the audience.
Retiring' - within that word is 'tiring,' and I'm not tired. I don't believe in retirement, really.
You always draw on your experiences with live audiences to know how to do comedy on films. You're working for a laugh that may or may not come six months later, but you're working in a vacuum at the time you are doing it.
I refuse to do shows that are narrowly constructed, that appeal to only one sentiment. I do a lot of Jewish material in front of non-Jews and a lot of non-Jewish material in front of Jews on the simple theory that the non-Jews are entitled to a glimpse of a Jewish world and the Jews are entitled to a glimpse of the world.
While we all could agree that the Zionist ideal is alive and well, there is serious doubt whether the Zionist movement can be said to be an ongoing proposition, fragmented as its components are in ideology and in practice.
I do prefer the stage. It's really the granddaddy of them all.
You cannot please all of the people all of the time, and that is truer in the arts than anywhere else.
John Huston was the kind of director that totally left you alone. Not every actor always does it right, every time, but most of the time he was re-directing someone. He was making tight adjustments, and not even in terms of interpretation because he knew that by the time that the character had been filmed... well, he got it right when he cast you.
I do not know who there is among us that can claim to know God's purpose and God's intent.
The play is always fresh to me. It's not the audience's fault that I've said the words before.
Must we be put to shame by much smaller and poorer countries, by Ireland, France, Austria or Sweden, who have understood that a nation's support of its arts is a matter of both national pride and cultural survival?
I created the role of Captain Von Trapp.
Having come to live in this age is as though one were to have entered another country. Learn its language or risk being left out.
Every actor wants to direct and produce, but I made a conscious decision when I was in college to understand the 'business' of 'show business.'
But, when I toil in the field of Jewish culture which I frequently do, I am indeed a Jewish artist.
Audiences are audiences.
As an artist I have an even more abiding interest in the compact between the Arts and Government.
After the advent of the written word, the masses who could not - or were not permitted to - read, were given sermons by the few who could.
You can't expect the entire world to come to New York to see you. You have to travel to them.
Although I am deeply grateful to a great many people, I forgo the temptation of naming them for fear that I might slight any by omission.
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