No movement can afford to be caught in a time warp and exist in a state of suspended animation.
I am not a specialist but a general practitioner in the world of the arts.
I prefer to choose which traditions to keep and which to let go.
On the stage you're there, it's live. There's a beginning, a middle, an end. When something is funny you hear it right away.
If I have one vanity wish, it would be to direct. It's the only thing I haven't done yet that I would like to.
We Jews have a special attachment to the Book. The study of page after page in tomes yellowing with age was obligatory.
In my world, history comes down to language and art.
I'm exceedingly proud of being an actor, but I never recommend it to anyone.
I remain convinced that I can be a true universalist only when I am a better Jew.
An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'
Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.
I always sang, I always acted, I always played.
But there is a difference here: When Jewish children are murdered, Arabs celebrate the deed. The death of an Arab child is no cause for celebration in Israel.
Right up to the middle of this century all perceptions of the world around us were delivered via the bookshelf or the paper route.
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