Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick.
Ours is an age which consciously pursues health, and yet only believes in the reality of sickness.
Illnesses have always been used as metaphors to enliven charges that a society was corrupt or unjust.
Fatal illness has always been viewed as a test of moral character, but in the nineteenth century there is a great reluctance to let anybody flunk the test.
Any disease that is treated as a mystery and acutely enough feared will be felt to be morally, if not literally, contagious.
Societies need to have one illness which becomes identified with evil, and attaches blame to its victims.
The fact that illness is associated with the poor --who are, from the perspective of the privileged, aliens in one's midst --reinforces the association of illness with the foreign with an exotic, often primitive place.
The romantic treatment of death asserts that people were made singular, made more interesting, by their illnesses.
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