Books are not only the arbitrary sum of our dreams, and our memory. They also give us the model of self-transcende nce.
I was not looking for my dreams to interpret my life, but rather for my life to interpret my dreams.
Surrealism in painting amounted to little more than the contents of a meagerly stocked dream world: a few witty fantasies, mostly wet dreams and agoraphobic nightmares.
Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer.
If literature has engaged me as a project, first as a reader, then as a writer, it is as an extension of my sympathies to other selves, other domains, other dreams, other territories.
The "happening" operates by creating an asymmetrical network of surprises, without climax or consummation, this is the alogism of dreams rather than the logic of most art.
That sort of reception - where everything is assimilated to the world of celebrity - makes me dream of becoming a more recalcitrant, harder to assimilate writer.
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