Art is a form of consciousness.
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.
As industrialization provided social uses for the operations of the photographer, so the reaction against these uses reinforced the self-consciousness of photography-as-art.
Photographs are perhaps the most mysterious of all the objects that make up, and thicken, the environment we recognize as modern. Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood.
Result of self-consciousness: audience and actor are the same. I live my life as a spectacle for myself, for my own edification. I live my life but I don't live in it. The hoarding instinct in human relations.
A lot of what I've written in criticism of my lust for virtue - my discovery that I've committed idolatry, making of the good an idol - is open to the charge of being still caught within the dialectic of idolatry. I've made a moral criticism of my moral consciousness. Meta-idolatry.
I make an idol of my moral consciousness. My pursuit of the good is corrupted by the sin of idolatry.
Tamed as it may be, sexuality remains one of the demonic forces in human consciousness - pushing us at intervals close to taboo and dangerous desires, which range from the impulse to commit sudden arbitrary violence upon another person to the voluptuous yearning for the extinction of one's consciousness, for death itself. Even on the level of simple physical sensation and mood, making love surely resembles having an epileptic fit at least as much as, if not more than, it does eating a meal or conversing with someone.
I was enthralled and moved by Azar Nafisi's account of how she defied, and helped others to defy, radical Islam's war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom-as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher.
... the place we assign to pornography depends on the goals we set for our own consciousness, our own experience.
Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility . . . . Artists have had to become self-conscious aestheticians: continually challenging their means, their materials and methods.
Art is not consciousness per se, but rather its antidote- evolved from within consciousness itself.
If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature - the nearest thing to a sacramental human activity acknowledged by secular society - it is because one of the tasks art has assumed is making forays into and taking up positions on the frontiers of consciousness (often very dangerous to the artist as a person) and reporting back what's there.
The moral pleasure in art, as well as the moral service that art performs, consists in the intelligent gratification of consciousness.
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