Gus Van Sant Quotes About Film

Quotes about: Film

• Even if you try to copy a film shot by shot, you still can't. It's still your own film.

  Gus Van Sant

  Trying, Film, Shots

  Interview with Briony Hanson, www.theguardian.com. January 16, 2009.

• I don't think American independent films have ever really been particularly experimental, except for the original guys from the '60s who were huge influences, like Stan Brakhage, Robert Breer, and Stan van der Beek. They were the true independents.

  Gus Van Sant

  Independent, Thinking, Guy

  Interview with Scott Tobias, www.avclub.com. March 5, 2003.

• The area of teenage life is not necessarily rarefied; we've all gone through that period. It's not as rarefied as a western or a space adventure or a gangster film, but it has its own dynamic.

  Gus Van Sant

  Teenage, Adventure, Space

  Interview with Kimberly Gadette, www.oregonlive.com. May 18, 2011.

• There's a lot of films that have relatively rigid road maps because they have a script and others that are less rigid because they have less of a script, like 'Elephant.' The road map becomes more interpretive, maybe, than one with a detailed script. Editing-wise, they all have their problems.

  Gus Van Sant

  Wise, Editing, Elephants

• I have this new theory about films. It's almost like astrology, where if we started on a Tuesday the film will be different than if we started on a Wednesday. Not because of the planets. It's that sometimes you start with the wrong balance and the whole thing gets messed up.

  Gus Van Sant

  Astrology, Tuesday, Balance

  "Biography/ Personal Quotes". www.imdb.com.

• I've told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you, because you're not necessarily able to tell what's real and what's not.

  Gus Van Sant

  Real, People, Feelings

  Interview with Madonna, www.interviewmagazine.com. May 3, 2010.

• Once you're directing, you're kind of in a certain mode, where you're taking whatever is on the page and forming it into the film that you think it might want to be. So whether it's my writing or not, I still try to work with it in the same way.

  Gus Van Sant

  Writing, Thinking, Trying

  Interview with Briony Hanson, www.theguardian.com. January 16, 2009.

• I think that in some cases, I've made films that have a sentimental quality, at least as part of the film.

  Gus Van Sant

  Thinking, Quality, Sentimental

  Interview with Gregg LaGambina, www.avclub.com. September 16, 2011.

• There are all kinds of ways that people present their films, but that's kind of a good feeling, if you can make it seem like the characters are really there.

  Gus Van Sant

  Character, People, Feelings

  Interview with Armistead Maupin, www.interviewmagazine.com. November 22, 2008.

• Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.

  Gus Van Sant

  Trying, Film, Dramatic

  Interview with Tony Dushane, www.motherjones.com. December 5, 2008.

• When you're on a film and you're doubting something, it's usually because you don't think the audience is going to like it.

  Gus Van Sant

  Thinking, Doubt, Film

  Source: www.aboutfilm.com

• As I do with most films, I try and find some music that you could use throughout, not just a sampling of lots of different artists.

  Gus Van Sant

  Artist, Trying, Different

  "Keep the Things You Forgot: An Elliott Smith Oral History". Interview with Jayson Greene, pitchfork.com. October 21, 2013.

• I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western.

  Gus Van Sant

  Stars, War, Thinking

  Interview with Kimberly Gadette, www.oregonlive.com. May 18, 2011.

• A lot of times, I relied on connections through my agency, just for financing and things like that. Even when I'm looking for a million and a half dollars to do a small film, there can always be hold-ups, because it's a large amount of money for some people, and it's a small amount of money for other people. In any case, it's significant enough to where you have to jump through a lot of hoops to get it to happen. Sometimes, the people who are helping you can drop the ball. And, of course, the reason agents want you to do bigger projects is that they make a bigger cut.

  Gus Van Sant

  Cutting, People, Helping

  Source: film.avclub.com

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