There's a big difference between "not caring" or being "nihilistic" about a topic and simply not being enrolled by the drama presented by other people. Just because my characters choose not to react in standard, socially-appropriate ways - that does not mean they don't care. They just reject ordinary dramas.
People don't want their lives fixed. Nobody wants their problems solved. Their dramas. Their distractions. Their stories resolved. Their messed cleaned up. Because what would they have left? Just the big scary unknown.
I really love idiot, enlightened characters - these characters who fail to engage with the drama of their immediate circumstances; they fail to be reactive and enrolled by drama as it happens around them.
Think of a rock polisher, one of those drums, goes round and round, rolls twenty-four/seven, full of water and rocks and gravel. Grinding it all up. Round and round. Polishing those ugly rocks into gemstones. That’s the earth. Why it goes around. We’re the rocks. And what happens to us—the drama and pain and joy and war and sickness and victory and abuse—why, that’s just the water and sand to erode us. Grind us down. To polish us up, nice and bright.
An important part of building a new culture was allowing people to complain about their past. At first, the more they complained, the worse the past would seem. But by venting, people could start to resolve the past. By bitching and bitching and bitching, they could exhaust the drama of their own horror stories. Grow bored. Only then could they accept a new story for their lives. Move forward.
Some stories, she’d say, the more you tell them, the faster you use them up. Those kind, the drama burns off, and every version, they sound more silly and flat. The other kind of story, it uses you up. The more you tell it, the stronger it gets. Those kind of stories only remind you how stupid you were. Are. Will always be.
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