Camille Paglia Quotes About Film

Quotes about: Film

• Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.

  Camille Paglia

  Art, Males, Western Culture

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage

• I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.

  Camille Paglia

  Years, Criticism, Jargon

• One of the main reasons I am so drawn to Hitchcock is that he planned his shots way in advance on story-boards, which he designed like classic paintings (he was an art connoisseur). It's why he found shooting on set boring - because he had already composed the film in his head.

  Camille Paglia

  Art, Boards, Stories

• Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon.

  Camille Paglia

  Eye, Film History, Space

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.16, Vintage

• I admire hard-bitten, wisecracking realism of Ida Lupino and the film noir heroines. I'm sick of simpering white girls with their princess fantasies.

  Camille Paglia

  Girl, Princess, White

  Camille Paglia (2011). “Vamps & Tramps: New Essays”, p.12, Vintage

• Your life is a Fellini film, lacking only Anita Ekberg with a cat on her head.

  Camille Paglia

  Cat, Life Is, Film

• Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.

  Camille Paglia

  Cutting, Epic, Space

  "The Magic of Images: Word and Picture in a Media Age". Arion Vol. 11, no 3, Spring 2004.

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