Men have sacrificed and crippled themselves physically and emotionally to feed, house, and protect women and children. None of their pain or achievement is registered in feminist rhetoric, which portrays men as oppressive and callous exploiters.
Greek pederasty honored the erotic magnetism of male adolescence in a way that today brings police to the door. Children are more conscious and perverse than parents like to think.
I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.
Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.
A lesser complaint: hair extensions. There are moments on 'All My Children' when half the women actors, young and old, seem to be afflicted by android Barbie creep. All those thick swatches of lifeless strands clustering lankly round ladies' necks! Like orange tanning spray, this is a fashion fad that should be put out of its misery.
Women are being told "you are future leaders." Meanwhile, we are more than our jobs. One reason Sex and the City was such an enormous hit is that it expressed something that feminism won't admit: we don't know what we want. We don't know if we want children or not.
I want young women when they're 14 to start thinking about what they want over the course of their lives. I think it's criminal - child abuse - that they're not told to do this [in school]. Right now it's just sex education and putting condoms on bananas. Girls should be asked to think about what they want in their lives when they're 50, 60 and 70.
When I was a child, my father taught me to put up my fists like a boy and to be prepared to defend myself at all times.
Children are monsters of unbridled egotism and will, for they spring directly from nature, hostile intimations of immorality.
RIHANNA IS TODAY'S MOST FASCINATING PERFORMER, A MYSTERIOUS AMALGAM OF AMIABLE WARMTH AND GLITTERING CHARISMA. WITH HER KEEN CREATIVE EYE FOR LINE AND COLOR, SHE HAS BECOME A FASHION ICON, LIKE AUDREY HEPBURN. YET SHE IS A TEMPESTUOUS WILD CHILD AND INTERNATIONAL ADVENTURESS, LIKE AVA GARDNER. MOST IMPORTANTLY, AS AN ARTIST IN THIS OVERMECHANIZED AGE, SHE BRAVELY DRAWS ON DEEP WELLS OF PURE EMOTION, ENDEARING HER TO MILLIONS OF FANS WORLDWIDE.
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