Camille Paglia Quotes About Art

Quotes about: Art

• Rule of art: Cant kills creativity!

  Camille Paglia

  Art, Creativity, Cant

• Capitalism is an art form, an Apollonian fabrication to rival nature. It is hypocritical for feminists and intellectuals to enjoy the pleasures and conveniences of capitalism while sneering at it. Everyone born into capitalism has incurred a debt to it. Give Caesar his due.

  Camille Paglia

  Nature, Art, Giving

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage

• The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.

  Camille Paglia

  Love, Art, Self

  Camille Paglia (1990). “Sexual Personae”, p.51, Yale University Press

• Teaching is a performance art.

  Camille Paglia

  Art, Teaching, Performances

• The greatest honor that can be paid to the work of art, on its pedestal of ritual display, is to describe it with sensory completeness. We need a science of description. Criticism is ceremonial revivification.

  Camille Paglia

  Art, Honor, Criticism

• There is no true expertise in the humanities without knowing all of the humanities. Art is a vast, ancient interconnected web-work, a fabricated tradition. Over-concentration on any one point is a distortion.

  Camille Paglia

  Art, Knowing, Humanity

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.208, Vintage

• Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it.

  Camille Paglia

  Sports, Art, Nature

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.82, Vintage

• The number one problem in academia today is not ignorant students but ignorant professors, who have substituted narrow "expertise" and "theoretical sophistication" (a preposterous term) for breadth and depth of learning in the world history of art and thought... Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion. This is one of the primary reasons for the dullness and ineptitude of so much twentieth-criticism, as compared to nineteenth-century belles-lettres.

  Camille Paglia

  Art, Numbers, Ignorant

  "Junk Bonds and Corporate Raiders: Academe in the Hour of the Wolf". Camille Paglia, "Arion", Third Series, Volume 1, No. 2, Spring 1991.

• We do not need French post-structuralism, whose pedantic jargon, clumsy convolutions, and prissy abstractions have spread throughout academe and the arts and are now blighting the most promising minds of the next generation. This is a major crisis if there ever was one, and every sensible person must help bring it to an end.

  Camille Paglia

  Art, Mind, Needs

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.8, Vintage

• Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.

  Camille Paglia

  Art, Males, Western Culture

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage

• Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.

  Camille Paglia

  Art, Sex, Eye

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage

• We need a new kind of feminism, one that stresses personal responsibility and is open to art and sex in all their dark, unconsoling mysteries. The feminist of the fin de si?cle will be bawdy, streetwise, and on-the-spot confrontational, in the prankish Sixties way.

  Camille Paglia

  Art, Sex, Stress

• A society that forgets about art risks loslng its soul.

  Camille Paglia

  Art, Giving, Soul

• Art is something out of the ordinary commenting on the ordinary.

  Camille Paglia

  Art, Ordinary, Art Is

• Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.

  Camille Paglia

  Art, Nature, Imagination

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, p.39, Yale University Press

• Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.

  Camille Paglia

  Inspirational, Dance, Art

• Lacan is a tyrant who must be driven from our shores. Narrowly trained English professors who know nothing of art history or popular culture think they can just wade in with Lacan and trash everything in sight.

  Camille Paglia

  Art, Thinking, Sight

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.210, Vintage

• Hollywood movies of the Fifties, like The Ten Commandments and Ben-Hur, with their epic clash of pagan and Judeo-Christian cultures, tell more about art and society than the French-infatuated ideologues who have made a travesty of the "best" American higher criticism.

  Camille Paglia

  Christian, Art, Epic

  "Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf". Arion, Third Series, Vol. 1, No. 2, Spring 1991.

• Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.

  Camille Paglia

  Art, School, Practice

• The best introduction by far to representation of the human figure in art. The Nude is a beautifully written work of sophisticated connoisseurship that analyzes art in its own terms rather than imposing strident, politicized categories on it. It outlines the major body types, male and female, in Western art and, via a wealth of illustrations, trains the reader's eye to detect and evaluate proportion. This book reveres art

  Camille Paglia

  Art, Book, Eye

• The Bobbit case, which brought to life the ancient mythic archetype of woman as castrator, demonstrated that women are as aggressive as men and that sex is a dark, dangerous force of nature. But of course the feminist establishment, stuck in its battered-woman blinders, learned nothing as usual from this lurid refutation of its normal views. Classic art works like Bizet's Carmen tell us more about the irrationality of love, jealousy and revenge than do all the pat formulas of the counseling industry.

  Camille Paglia

  Art, Sex, Revenge

• It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.

  Camille Paglia

  Art, Hero, Avant Garde

• All the genres of philosophy, science, high art, athletics and politics were invented by men. But by the Promethean law of conflict and capture, woman has a right to seize what she will and vie with man on her own terms.

  Camille Paglia

  Art, Philosophy, Men

  Camille Paglia (2018). “Free Women, Free Men: Sex, Gender, Feminism”, p.36, Canongate Books

• I cannot be convinced that great artists are moralists. Art is first appearances, then meaning.

  Camille Paglia

  Art, Firsts, Appearance

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, p.166, Yale University Press

• Madonna remains the most visible performer on the planet, as well as one of the wealthiest, but would anyone seriously say that artistic self-development is her primary motivating principle? She is too busy with Kabbalah, fashion merchandising, adoption melodramas, the gym, and ill-starred horseback riding to study art.

  Camille Paglia

  Fashion, Art, Self

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