Camille Paglia Quotes About Art

Quotes about: Art

• Rule of art: Cant kills creativity!

  Camille Paglia

  Art, Creativity, Cant

• Capitalism is an art form, an Apollonian fabrication to rival nature. It is hypocritical for feminists and intellectuals to enjoy the pleasures and conveniences of capitalism while sneering at it. Everyone born into capitalism has incurred a debt to it. Give Caesar his due.

  Camille Paglia

  Nature, Art, Giving

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage

• The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.

  Camille Paglia

  Love, Art, Self

  Camille Paglia (1990). “Sexual Personae”, p.51, Yale University Press

• Teaching is a performance art.

  Camille Paglia

  Art, Teaching, Performances

• The greatest honor that can be paid to the work of art, on its pedestal of ritual display, is to describe it with sensory completeness. We need a science of description. Criticism is ceremonial revivification.

  Camille Paglia

  Art, Honor, Criticism

• There is no true expertise in the humanities without knowing all of the humanities. Art is a vast, ancient interconnected web-work, a fabricated tradition. Over-concentration on any one point is a distortion.

  Camille Paglia

  Art, Knowing, Humanity

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.208, Vintage

• Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it.

  Camille Paglia

  Sports, Art, Nature

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.82, Vintage

• The number one problem in academia today is not ignorant students but ignorant professors, who have substituted narrow "expertise" and "theoretical sophistication" (a preposterous term) for breadth and depth of learning in the world history of art and thought... Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion. This is one of the primary reasons for the dullness and ineptitude of so much twentieth-criticism, as compared to nineteenth-century belles-lettres.

  Camille Paglia

  Art, Numbers, Ignorant

  "Junk Bonds and Corporate Raiders: Academe in the Hour of the Wolf". Camille Paglia, "Arion", Third Series, Volume 1, No. 2, Spring 1991.

• We do not need French post-structuralism, whose pedantic jargon, clumsy convolutions, and prissy abstractions have spread throughout academe and the arts and are now blighting the most promising minds of the next generation. This is a major crisis if there ever was one, and every sensible person must help bring it to an end.

  Camille Paglia

  Art, Mind, Needs

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.8, Vintage

• Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.

  Camille Paglia

  Art, Males, Western Culture

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage

• Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.

  Camille Paglia

  Art, Sex, Eye

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage

• We need a new kind of feminism, one that stresses personal responsibility and is open to art and sex in all their dark, unconsoling mysteries. The feminist of the fin de si?cle will be bawdy, streetwise, and on-the-spot confrontational, in the prankish Sixties way.

  Camille Paglia

  Art, Sex, Stress

• A society that forgets about art risks loslng its soul.

  Camille Paglia

  Art, Giving, Soul

• Art is something out of the ordinary commenting on the ordinary.

  Camille Paglia

  Art, Ordinary, Art Is

• Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.

  Camille Paglia

  Art, Nature, Imagination

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, p.39, Yale University Press

• Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.

  Camille Paglia

  Inspirational, Dance, Art

• Madonna remains the most visible performer on the planet, as well as one of the wealthiest, but would anyone seriously say that artistic self-development is her primary motivating principle? She is too busy with Kabbalah, fashion merchandising, adoption melodramas, the gym, and ill-starred horseback riding to study art.

  Camille Paglia

  Fashion, Art, Self

• Capitalism is an art form.

  Camille Paglia

  Art, Form, Capitalism

  Camille Paglia (1990). “Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, Vintage

• One of the main reasons I am so drawn to Hitchcock is that he planned his shots way in advance on story-boards, which he designed like classic paintings (he was an art connoisseur). It's why he found shooting on set boring - because he had already composed the film in his head.

  Camille Paglia

  Art, Boards, Stories

• Only utopian liberals could be surprised that the Nazis were art connoisseurs.

  Camille Paglia

  Art, Nazi, Connoisseur

  Camille Paglia (1990). “Sexual Personae”, p.45, Yale University Press

• Hollywood, America's greatest modern contribution to world culture, is a business, a religion, an art form, and a state of mind.

  Camille Paglia

  Art, America, Mind

  Camille Paglia (2011). “Sex, Art, and American Culture: Essays”, p.11, Vintage

• The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.

  Camille Paglia

  Beauty, Art, Restoration

  "The eyes of the beholder" by Camille Paglia, www.washingtonpost.com. March 10, 1991.

• The artist makes art not to save mankind but to save himself. Every benevolent comment by an artist is a fog to cover his tracks, the bloody trail of his assault against reality and others.

  Camille Paglia

  Art, Reality, Fog

  "Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson". Book by Camille Paglia, 1990.

• Many, perhaps most, very learned people prefer the company of their books to sitting in a crowd listening to history and art being mangled; furthermore, it is unlikely that the venerable scholars will stand up afterward to declare, "This lecture was a load of crap." The more profound a professor's distaste with the proceedings, the more likely he is to melt away at the end of the talk.

  Camille Paglia

  Art, Book, People

  "Junk Bonds and Corporate Raiders: Academe in the Hour of the Wolf". Camille Paglia, "Arion", Third Series, Volume 1, No. 2, Spring 1991.

• Last time I checked, there were no Americans at all in Renaissance art.

  Camille Paglia

  Art, Lasts, Renaissance

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