Read widely, and without apology. Read what you want to read, not what someone tells you you should read.
I have forced myself to begin writing when I've been utterly exhausted, when I've felt my soul as thin as a playing card…and somehow the activity of writing changes everything.
Any writer who has difficulty in writing is probably not onto his true subject, but wasting time with false, petty goals; as soon as you connect with your true subject you will write.
If you are a writer you locate yourself behind a wall of silence and no matter what you are doing, driving a car or walking or doing housework you can still be writing, because you have that space.
Without craft, art remains private. Without art, craft is merely hackwork.
I write so much because my cat sits on my lap. She purrs so I don't want to get up. She's so much more calming than my husband.
Novels begin, not on the page, but in meditation and day-dreaming - In thinking, not writing.
If food is poetry, is not poetry also food?
I don't think that writer's block exists really. I think that when you're trying to do something prematurely, it just won't come. Certain subjects just need time, as I've learned over and over again. You've got to wait before you write about them.
I think all art comes out of conflict. When I write I am always looking for the dramatic kernel of an event, the junctures of people's lives when they go in one direction, not another.
When writing goes painfully, when it’s hideously difficult, and one feels real despair (ah, the despair, silly as it is, is real!)–then naturally one ought to continue with the work; it would be cowardly to retreat. But when writing goes smoothly–why then one certainly should keep on working, since it would be stupid to stop. Consequently one is always writing or should be writing.
Look at the world and see what's there. It's very beautiful. It's a very exciting but in some ways treacherous world, and all this goes into the writing.
I haven't any formal schedule, but I love to write in the morning, before breakfast. Sometimes the writing goes so smoothly that I don't take a break for many hours - and consequently have breakfast at two or three in the afternoon on good days.
The first sentence cant be written until the final sentence is written.
Writing is a solitary occupation, and one of its hazards is loneliness. But an advantage of loneliness is privacy, autonomy and freedom.
Prose-it might be speculated-is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard. The one is presumably articulate and social, a shared language, the voice of "communication"; the other is private, allusive, teasing, sly, idiosyncratic as the spider's delicate web, a kind of witchcraft unfathomable to ordinary minds.
Don't try to anticipate an ideal reader - or any reader. He/she might exist - but is reading someone else.
On the elusive gift of blending austerity of craft with elasticity of allure.
Critics sometimes appear to be addressing themselves to works other than those I remember writing.
I can't imagine a mental life, a spiritual existence, not inextricably bound up with language of a formal, mediated nature. Telling stories, choosing an appropriate language with which to tell the story: This seems to me quintessentially human, one of the great adventures of our species.
How fascinating to a child are words: the shapes, sounds, textures and mysterious meanings of words; the way words link together into elastic patterns called "sentences." And these sentences into paragraphs, and beyond.
The use of language is all we have to pit against death and silence.
I am inclined to think that as I grow older I will come to be infatuated with the art of revision, and there may come a time when I will dread giving up a novel at all.
Writing is a consequence of having been 'haunted' by material. Why this is, no one knows.
I suggest to my students that they write under a pseudonym for a week. That allows young men to write as women, and women as men. It allows them a lot of freedom they don't have ordinarily.
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