Novels begin, not on the page, but in meditation and day-dreaming - In thinking, not writing.
Flying fosters fantasies of childhood, of omnipotence, rapid shifts of being, miraculous moments; it stirs our capacity for dreaming.
I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.
Art does the same things dreams do. We have a hunger for dreams and art fulfills that hunger. So much of real life is a disappointment. That's why we have art.
The American dream is a multi-metaphor made up of distinct regions. Many regions of this country are almost like different countries. Even in one state, northern and southern California are like two separate countries.
To write a novel is to embark on a quest that is very romantic. People have visions, and the next step is to execute them. That's a very romantic project. Like Edvard Munch's strange dreamlike canvases where people are stylized, like 'The Scream.' Munch must have had that vision in a dream, he never saw it.
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