The worst thing: to give yourself away in exchange for not enough love.
Writers and artists never pay attention to advice given by their elders, quite rightly. The only worthwhile advice is the most general: Keep trying, don't give up, don't be discouraged, don't pay attention to detractors. Everyone knows this.
I am inclined to think that as I grow older I will come to be infatuated with the art of revision, and there may come a time when I will dread giving up a novel at all.
When you give up struggle, there's a kind of love.
Early publication can be a dubious blessing: we all know writers who would give anything not to have published their first book, and go about trying to buy up all existing copies.
I don't read for amusement, I read for enlightenment. I do a lot of reviewing, so I have a steady assignment of reading. I'm also a judge for the Anisfield-Wolf Book Awards, which gives awards to literature and nonfiction.
To choose the ideal voice for a character is to give a character an ardent and vivid life, to allow him or her to speak, rather than speaking for them, in an older style of omniscient narration.
People who are disenfranchised politically and people who are poor often don't vote. They often don't elect politicians, so the politicians who are supporting them are really being very charitable, because they're not going to give them billions of dollars in campaign funds.
I've never given up. I've always kept going. I don't feel that I could afford to give up. That would be the beginning of the end.
When I wrote 'We Were The Mulvaneys,' I was just old enough to look back upon my own family life and the lies of certain individuals close to me, with the detachment of time. I wanted to tell the truth about secrets: How much pain they give, yet how much relief, even happiness we may feel when at last the motive for secrecy has passed.
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