I love a lot of people, understand none of them.
Where you come from is gone, where you thought you were going to never was there, and where you are is no good unless you can get away from it
If we forget our past, we won't remember our future and it will be as well because we won't have one.
I can, with one eye squinted, take it all as a blessing.
On the subject of the feminist business, I just never think...of qualities which are specifically feminine or masculine. I suppose I divide people into two classes: the Irksome and the Non-Irksome without regard to sex. Yes and there are the Medium Irksome and the Rare Irksome.
Everywhere I go, I'm asked if I think the universities stifle writers. My opinion is that they don't stifle enough of them. There's many a best seller that could have been prevented by a good teacher.
Dogma is the guardian of mystery. The doctrines are spiritually significant in ways that we cannot fathom.
When you can assume that your audience holds the same beliefs you do, you can relax and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost-blind you draw large and startling figures.
I am very handy with my advice and then when anybody appears to be following it, I get frantic.
The fiction of Ayn Rand is as low as you can get re fiction. I hope you picked it up off the floor of the subway and threw it in the nearest garbage pail. She makes Mickey Spillane look like Dostoevsky.
There are two qualities that make fiction. One is the sense of mystery and the other is the sense of manners. You get the manners from the texture of existence that surrounds you. The great advantage of being a Southern writer is that we don't have to go anywhere to look for manners; bad or good, we've got them in abundance. We in the South live in a society that is rich in contradiction, rich in irony, rich in contrast, and particularly rich in its speech
I use the grotesque the way I do because people are deaf and dumb and need help to see and hear.
To the hard of hearing you shout, and for the almost blind you draw large and startling figures.
The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.
There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored.
Faith is what someone knows to be true, whether they believe it or not.
I think there is no suffering greater than what is caused by the doubts of those who want to believe.
Only if we are secure in our beliefs can we see the comical side of the universe.
Those who have no absolute values cannot let the relative remain merely relative; they are always raising it to the level of the absolute.
In yourself right now is all the place you've got.
People without hope not only don’t write novels, but what is more to the point, they don’t read them. They don’t take long looks at anything, because they lack the courage. The way to despair is to refuse to have any kind of experience, and the novel, of course, is a way to have experience.
I don't deserve any credit for turning the other cheek as my tongue is always in it.
Your beliefs will be the light by which you see, but they will not be what you see and they will not be a substitute for seeing.
Conviction without experience makes for harshness.
Unadaptability is often a virtue.
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