The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.
At its best our age is an age of searchers and discoverers, and at its worst, an age that has domesticated despair and learned to live with it happily.
Faith is what someone knows to be true, whether they believe it or not.
I come from a family where the only emotion respectable to show is irritation. In some this tendency produces hives, in others literature, in me both.
Everywhere I go, I'm asked if I think the universities stifle writers. My opinion is that they don't stifle enough of them. There's many a best seller that could have been prevented by a good teacher.
The writer should never be ashamed of staring. There is nothing that does not require his attention.
It is better to be young in your failures than old in your successes.
I preach there are all kinds of truth, your truth and somebody else's. But behind all of them there is only one truth and that is that there's no truth.
When in Rome, do as you done in Milledgeville.
I don't think literature would be possible in a determined world. We might go through the motions but the heart would be out of it. Nobody could then 'smile darkly and ignore the howls.' Even if there were no Church to teach me this, writing two novels would do it. I think the more you write, the less inclined you will be to rely on theories like determinism. Mystery isn't something that is gradually evaporating. It grows along with knowledge.
The writer can choose what he writes about but he cannot choose what he is able to make live.
Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers.
the writer is initially set going by literature more than by life.
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