I think you should be a child for as long as you can. I have been successful for 74 years being able to do that. Don't rush into adulthood, it isn't all that much fun.
Comedians are never really on vacation because you're always at attention... that antenna is always out there.
It's getting harder and harder to differentiate between schizophrenics and people talking on a cell phone. It still brings me up short to walk by somebody who appears to be talking to themselves.
I'm most proud of the longevity of my marriage, my kids, and my grandchildren. If you don't have that, you really don't have very much.
I was never a Certified Public Accountant. I just had a degree in accounting. It would require passing a test, which I would not have been able to do.
I was influenced by every comedian I ever saw work. That's the only way you learn how to do it.
Jack Benny was, without a doubt, the bravest comedian I have ever seen work. He wasn't afraid of silence. He would take as long as it took to tell the story.
I kind of do it in my head, then I'll try pieces of it on stage and if it looks promising, I'll put it together.
I never had an aversion because I was active in the drama club. If I had that aversion I certainly wouldn't put myself in the position of being on stage. Of course, in the drama club you're hiding behind a character.
When I started out in 1960, I thought it might possibly last a couple of years. I never expected it to last 42. I take great satisfaction in that longevity.
Because of the spin-meisters and the focus groups and the way politics is run now. It's run by polls and focus groups. So it's even more true today, I think, than it was some 40 years ago.
I gave up accounting. I went in for about six months writing ad copy. I was fired from that, and then another guy and I did a kind of poor man's Bob and Ray kind of syndicated radio show. Then I decided to stick it out and see what happened. I'd give it a year, a year became two years, and then two years became three years, and then along came the record album.
There are a lot of questions I keep asking myself about why I do comedy. I guess I laugh to keep from crying. And I guess if you ever get me crying, I might not stop. This is the way I look at tragedy or else I'll cry.
I'm very open to the up-and-comers.
The first time I got up in front of an audience was terror, abject terror, which continued for another four or five years. There still is, a little bit.
I've been a very lucky actor.
It was a decision to work clean. I just prefer to work that way. I have no problem with comedians who don't work that way. There was a temptation in the early '70s to reconsider. I decided against it.
The best advice I could give someone trying to get into the comedy field is to take advantage of every opportunity you have to work to hone your skills.
The only thing I have never done is a Broadway play. I'm not sure I have the discipline necessary to do a Broadway play. I know it holds a fascination for certain actors.
I feel more comfortable in comedy.
This stammer got me a home in Beverly Hills, and I'm not about to screw with it now.
I worked in accounting for two and a half years, realized that wasn't what I wanted to do with the rest of my life, and decided I was just going to give comedy a try.
Well I was much too practical to presume to have a career in comedy.
Funny is funny is funny.
I don't know how many sacred cows there are today. I think there's a little confusion between humor and gross passing for humor. That's kind of regrettable.
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