Only the French, I guess, really use tenor and alto to any great extent in the orchestra
I would think, of all the saxophones, the baritone would be the most logical instrument if anybody was adding a voice to the symphony orchestra.
If you've only got one horn playing, I still want the sense of ensemble.
I like what I hear other guys doing, but the thing that really attracts me is melodic playing.
When we've finished the current tour I'm going to go back to Italy and see if I can do some more writing.
The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing
I've always wanted a C trumpet on top, to have that same kind of facility without shouting.
Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions. For instance, in the 'twenties the tradition was two or three saxophones
I've appeared on some other people's albums.
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