Joseph Addison Quotes About Art

Quotes about: Art

• What sculpture is to a block of marble, education is to the human soul.

  Joseph Addison

  Motivational, Inspiring, Education

  The Spectator, No. 215, November 6, 1711.

• We find the Works of Nature still more pleasant, the more they resemble those of art.

  Joseph Addison

  Art, Nature, Pleasant

  Joseph Addison, Richard Hurd (1811). “The Works: In Six Volumes”, p.348

• Loveliest of women! heaven is in thy soul,
  Beauty and virtue shine forever round thee,
  Bright'ning each other! thou art all divine!

  Joseph Addison

  Art, Women, Soul Beauty

  "Cato, A Tragedy". Play by Joseph Addison, 1713.

• It is impossible for us, who live in the latter ages of the world, to make observations in criticism, morality, or in any art or science, which have not been touched upon by others. We have little else left us but to represent the common sense of mankind in more strong, more beautiful, or more uncommon lights.

  Joseph Addison

  Beautiful, Strong, Art

  Joseph Addison, Richard Steele (1854). “The Spectator”, p.306

• Music can noble hints impart, Engender fury, kindle love, With unsuspected eloquence can move, And manage all the man with secret art.

  Joseph Addison

  Music, Art, Moving

  Joseph Addison (1868). “The Works of Joseph Addison”, p.425

• The great art in writing advertisements is the finding out of a proper method to catch the reader's eye; without which, a good thing may pass over unobserved, or lost among commissions of bankrupt.

  Joseph Addison

  Art, Writing, Eye

  Joseph Addison (1811). “The Works of the Right Honourable Joseph Addison”, p.401

• Music, the greatest good that mortals know,
  And all of heaven we have below.
  Music can noble hints impart,
  Engender fury, kindle love;
  40 With unsuspected eloquence can move,
  And manage all the man with secret art.
  When Orpheus strikes the trembling lyre
  The streams stand still, the stones admire;
  The listening savages advance,
  The world and lamb around him trip
  The bears in aukward measures leap,
  And tigers mingle in the dance
  The moving woods attended as he played
  And Rhodope was left without a shade.

  Joseph Addison

  Music, Art, Moving

  Joseph Addison, “A Song For St. CeCILIa's Day, At Oxford”

• A man that has a taste of music, painting, or architecture, is like one that has another sense, when compared with such as have no relish of those arts

  Joseph Addison

  Music, Art, Men

  Joseph Addison, Richard Hurd, Henry George Bohn (1854). “The Works of the Right Honourable Joseph Addison: The Tatler and Spectator [no. 1-160”, p.414

• Music, among those who were styled the chosen people, was a religious art.

  Joseph Addison

  Music, Religious, Art

  Joseph Addison, Sir Richard Steele (1854). “The Spectator: with a biographical and critical preface, and explanatory notes”, p.254

• Our delight in any particular study, art, or science rises and improves in proportion to the application which we bestow upon it. Thus, what was at first an exercise becomes at length an entertainment.

  Joseph Addison

  Art, Exercise, Science

  Joseph Addison, Sir Richard Steele (1854). “The Spectator: With a Biographical and Critical Preface, and Explanatory Notes ...”, p.371

• The ways of heaven are dark and intricate,
  Puzzled in mazes, and perplex'd with errors;
  Our understanding traces them in vain,
  Lost and bewilder'd in the fruitless search;
  Nor sees with how much art the windings run,
  Nor where the regular confusion ends.

  Joseph Addison

  Running, Art, Dark

  Joseph Addison (1868). “The Works of Joseph Addison”, p.481

• There is sometimes a greater judgement shewn in deviating from the rules of art, than in adhering to them; and?there ismore beauty inthe works of a great genius who is ignorant of all the rules of art, than in the works of a little genius, who not only knows but scrupulously observes them.

  Joseph Addison

  Art, Judgement, Ignorant

  'The Spectator' no. 592, 10 September 1714.

• Musick is certainly a very agreeable Entertainment, but if it would take the entire Possession of our Ears, if it would make us incapable of hearing Sense, if it would exclude Arts that have a much greater Tendency to the Refinement of human Nature; I must confess I would allow it no better Quarter than Plato has done, who banishes it out of his Common-wealth.

  Joseph Addison

  Music, Art, Plato

  Joseph Addison (1867). “The Works of Joseph Addison: Including the Whole Contents of Bp. Hurd's Edition, with Letters and Other Pieces Not Found in Ay Previous Collection; and Macaulay's Essay on His Life and Works”, p.65

• The first race of mankind used to dispute, as our ordinary people do now-a-days, in a kind of wild logic, uncultivated by rule of art.

  Joseph Addison

  Art, Race, People

  Joseph Addison (1854). “The Works of Joseph Addison: The Spectator”, p.560

• Those who were skillful in Anatomy among the Ancients, concluded from the outward and inward Make of an Human Body, that it was the Work of a Being transcendently Wise and Powerful. As the World grew more enlightened in this Art, their Discoveries gave them fresh Opportunities of admiring the Conduct of Providence in the Formation of an Human Body.

  Joseph Addison

  God, Wise, Art

  Joseph Addison, Sir Richard Steele (1832). “The British Essayists: Containing the Spectator, with Notes and General Index, and the Tatler and Guardian, with Notes and General Index”

• There is a great amity between designing and art.

  Joseph Addison

  Art, Design, Amity

• But in all despotic governments, though a particular prince may favour arts and letter, there is a natural degeneracy of mankind.

  Joseph Addison

  Art, Government, Letters

  Joseph Addison, Sir Richard Steele (1852). “The Spectator”, p.327

• It happened very providentially, to the honor of the Christian religion, that it did not take its rise in the dark illiterate ages of the world, but at a time when arts and sciences were at their height.

  Joseph Addison

  Christian, Art, Dark

  Joseph Addison (1812). “The evidences of the Christian religion: with additional discourses on the following subjects, viz: Of God, and his attributes. The power and wisdom of God in the creation. The providence of God. The worship of God. Advantages of revelation above natural reason. Excellency of the Christian institution. Dignity of the Scripture language. Against atheism and infidelity. Against the modern free-thinkers. Immortality of the soul, and a future state. Death and judgment”, p.46

• Let echo, too, perform her part, Prolonging every note with art; And in a low expiring strain, Play all the comfort o'er again.

  Joseph Addison

  Art, Play, Echoes

  Joseph Addison, Henry George Bohn, Richard Hurd (1873). “The Works of the Right Honourable Joseph Addison: Letters. Second appendix, containing miscellanies and gleanings. Translations of Addison's Latin poems. Addison's Latin prose. Official documents. Addisoniana. General index”, p.535

• A statue lies hid in a block of marble, and the art of the statuary only clears away the superfluous matter and removes the rubbish. The figure is in the stone; the sculptor only finds it. What sculpture is to a block of marble, education is to a human soul. The philosopher, the saint, or the hero,--the wise, the good, or the great man,--very often lies hid and concealed in a plebeian, which a proper education might have disinterred, and have brought to light.

  Joseph Addison

  Education, Wise, Art

  Joseph Addison (1856). “The works of ... Joseph Addison, with notes by R. Hurd”, p.96

• The statue lies hid in a block of marble; and the art of the statuary only clears away the superfluous matter, and removes the rubbish.

  Joseph Addison

  Art, Lying, Block

  Joseph Addison, Sir Richard Steele (1853). “The Spectator”, p.82

• Nature has laid out all her art in beautifying the face; she has touched it with vermilion, planted in it a double row of ivory, made it the seat of smiles and blushes, lighted it up and enlivened it with the brightness of the eyes, hung it on each side with curious organs of sense, given it airs and graces that cannot be described, and surrounded it with such a flowing shade of hair as sets all its beauties in the most agreeable light.

  Joseph Addison

  Art, Eye, Light

  Joseph Addison, Sir Richard Steele (1853). “The Spectator”, p.43

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