When I read the epitaphs of the beautiful, every inordinate desire goes out; when I meet with the grief of parents upon a tombstone, my heart melts with compassion; when I see the tomb of the parents themselves, I consider the vanity of grieving for those whom we must quickly follow: when I see kings lying by those who deposed them, when I consider rival wits placed side by side, or the holy men that divided the world with their contests and disputes, I reflect with sorrow and astonishment on the little competitions, factions, and debates of mankind.
I shall endeavor to enliven morality with wit, and to temper wit with morality.
Good nature is more agreeable in conversation than wit and gives a certain air to the countenance which is more amiable than beauty.
There is no kind of false wit which has been so recommended by the practice of all ages, as that which consists in a jingle of words, and is comprehended under the general name of punning.
There is nothing that more betrays a base ungenerous spirit than the giving of secret stabs to a man's reputation. Lampoons and satires that are written with wit and spirit are like poisoned darts, which not only inflict a wound, but make it incurable.
In all thy humours, whether grave or mellow, Thou'rt such a touchy, testy, pleasant fellow, Hast so much wit and mirth and spleen about thee, There is no living with thee, nor without thee.
Wit is the fetching of congruity out of incongruity.
I shall endeavour to enliven Morality with Wit, and to temper Wit with Morality, that my Readers may, if possible, both Ways findtheir Account in the Speculation of the Day.
A cheerful temper, joined with innocence will make beauty attractive, knowledge delightful, and wit good-natured.
The only way therefore to try a Piece of Wit, is to translate it into a different Language: If it bears the Test you may pronounceit true; but if it vanishes in the Experiment you may conclude it to have been a Punn.
Cunning is only the mimic of discretion, and may pass upon weak men in the same manner as vivacity is often mistaken for wit, and gravity for wisdom.
Hudibras has defined nonsense, as Cowley does wit, by negatives. Nonsense, he says, is that which is neither true nor false. These two great properties of nonsense, which are always essential to it, give it such a peculiar advantage over all other writings, that it is incapable of being either answered or contradicted.
It generally takes its rise either from an ill-will to mankind, a private inclination to make ourselves esteemed, an ostentation of wit, and vanity of being thought in the secrets of the world; or from a desire of gratifying any of these dispositions of mind in those persons with whom we converse.
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