Ever since I was little, I've felt very comfortable on a set. The time is stressful - being creative under time constraints. But there is an excitement and energy that you only have a certain amount of time to get what you want.
When you're a woman in your thirties, and maybe you don't really know what you want to do with your life, but it seems like everyone else does, and your best friend gets married, and it forces you to look at yourself. I don't know if I described that in a very funny way.
I don't call myself an 'independent filmmaker'. Either a concept works within a studio system or it doesn't. If it does then you should try to get a studio budget so that you can use all of the tools they have to get what you want. If it doesn't then you look elsewhere, or make it yourself.
To be in someone's favorite film is just - that's what you want. You want to be in great films that are memorable.
If you have passion for what you want to do and that's what you want to do, you've just got to bust your balls and go for it if you want to play music.
Other people have other goals, and sometimes the BSD style licenses are better for those goals. I personally tend to prefer the GPL, but that really doesn't mean that the GPL is any way inherently superior - it depends on what you want the license to do.
What you want is a comfortable environment that you feel you can invent in. Because film is such a lumbering, technical, huge, great Neanderthal thing, it's hard to create that little space of peace, and calm, and creativity, and ease. That's what you want the director to create for you, so that when you walk on the set, you forget all of that, and the fact that it's costing gazillions of dollars a second.
That's what you want: you want projects that you fall in love with. I don't think you pick your projects; you fall in love with them.
We are all "conservatives" in some sense, because we want to "conserve" some things while changing others. We are all "liberals" because we all want to be "free" in some respects. We are all "progressives" because we want to progress towards something: the question is, towards what? So instead of asking someone, are you conservative or liberal, right-wing or left-wing, why don't I ask what you want to conserve, and what to change, and why? Then we might finally have an intelligent debate about politics.
The first secret of getting what you want is knowing what you want.
Sex, on the whole, was meant to be short, nasty and brutish. If what you want is cuddling, you should buy a puppy.
Want what you have and you will always get what you want.
They said do what you want, because if we don't like it no one will hear it.
Take what you need, do what you should, you will get what you want.
Take from others what you want, but never be a disciple of anyone.
I am in a space now where I can try anything; and with Pink Floyd we've always been in a space where we were able to try out anything. I think we were very young then and we were very keen to experiment and try things out. It seems to me that this sort of experimenting is like working yourself towards something and trying to find what you like and what you want.
Being somebody is better than not being somebody vis à vis what you want out of life. If you want to talk to interesting people and have them talk to you, and if you want enough money to live someplace pleasant and to go on trips and be able to help people you love, you simply have to be somebody.
I always wanted to be someone in the entertainment industry. In my eighth grade slideshow, when everyone was like "show us what you want to be," everyone [said] doctor, lawyer, [but] mine literally said rapper. I wanted to be a musician, I wanted to be a superstar, I wanted to be on stage, I wanted to perform, I wanted to be in movies. But as you grow up, those dreams kind of fade away.
I love women like Cate Blanchett and Tilda Swinton, who kind of go out on a limb and do their own thing. I find it very inspiring and it allows you to do what you want to do.
What you want to acquire, you should dare to acquire by any means. What you want to see, even though it is with difficulty, you should see. You should not let it pass, thinking there will be another chance to see it or acquire it. It is quite unusual to have a second chance to materialize your desire.
You write who you are. But you also cheat, and youwrite what you want to be. It's embarrasing to be the guy who madethe movie, knowing you're not exactly who you want to be.
To achieve what you want, you have to be stronger than those around you
Be who you really are, do what you want to do, in order to have what you really want.
What you want to do is talk about ideas, you write a novel, you have a lecture about those ideas. Satire and comedy are really the only film mediums where you can get into ideas and have people leave the theater without being moralized.
I like movies that deal with trapped men. Men that need to make choices that are not obvious or easy choices. Then how do you visualize this? You create this character conflicted between two sides, because drama is about the conflict of two things, between your duty and your will, between what you want and what you can't have. It is all conflict between two things, and this is why you put your character in a place where you can visualize the conflict.
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