You're so young... Are you sure that's what you want your life to be, forever and ever? That job? That career? That girlfriend?
You don't get what you want in life. You get who you are.
If you spend a lot of time thinking about your problems, they'll grow bigger and stronger. Is that what you want? Of course not!Instead, focus on your goals. Start your day with them at the front of your mind, and use notes to recall them strategically throughout your day.
Refocusing on what you do want will take you in the direction of what you want.
Getting what you want will not change your life at the Being Level, so don't let what you have determine 'who you are', otherwise you will always feel dissatisfied.
Go after what you want, but enjoy the trip.
Do what you need to do, so that you can do what you want to do. Success and convenience do not go together. You have what it takes to be successful, so you have to step up your game and make room for it.
They will always tell you that you can't do what you want to do, but you can do what you want to do. You just have to believe in yourself. The system is to bring you down, but you can rise up.
Go after what you want as if your life depended on it. Because it Does!
You got to use what you got to get just what you want.
I feel like a quote out of context, withholding the rest so I can be for you what you want to see.
You have more fun and enjoy more financial success when you stop trying to get what you want and start helping other people get what they want.
That’s why you have to write your book right now, if that’s what you want to do. If you wait until you have the time, and the security, you might not want to do it. You’re in a race against your own enthusiasm. Don’t put it off because someone told you it’s never too late. That’s the worst lie. It’s never too late today, but it’s often too late tomorrow.
People say 'follow in the footsteps' but I always find that a strange expression because what you want to do is forge your own path, so to speak.
Working for with someone who has no idea what they wanted... it would just be so all over the place, especially with something on this scale. You have to know what you want with this.
It's difficult because you can't generalise about these things. But in essence, you deal with children as simply as you deal with actors - you have to show a certain sort of respect. You deal with them lovingly and protect them, but if you protect them enough then they're open to engage with what you want to do with them.
For me, you go to university to meet lots of different people from different backgrounds. I think that's one of the most important things you get there. And you also get some sense of direction regarding what you want to do when you leave. I sort of know what I want to do in my life - I want to act and ultimately I'd like to write. And in terms of meeting people from different backgrounds, that's what you get on a film set. So the two most valuable things that university would have given me I've sort of achieved by being on a film set.
As much as you know it, and you know the method, you can pretty much do what you want. No idea is going to be shot down. You just put it in the garbage later. You have to say the lines in many different ways. So they have a lot of material to work.
I think it's helpful to aspire to make films if you feel that other people are not doing what you want to do.
TV is such a success nowadays because it gives back in a way that features can't. If you go to a film, you only get two hours of great storytellers and performers, and you pay top dollar for that. If you're subscribing to premium channels and you're getting all of these amazing TV shows, and you're watching them as you want, where you want, when you want, on what you want, I think that is the "the golden era of TV" in what television shows are offering to audiences. We're giving them a lot more. It's quality.
What you want, as an actor, is a great leader. I can't bear it when I work with a director who is wishy-washy and says, "What did you think?"
I want collaboration, but if they don't have a plan or their vision isn't clear, it's nerve-wracking. So, someone that's very sure of the vision is what you want, most of all.
What you want is the thing that critics love and audiences love, but that's the hardest thing to do.
Sometimes I want to work with a DP, sometimes I want to work myself. I go to 35mm, 16mm, it's all the same, but it depends on what you want to tell and what are the tools you need.
I've found that Hollywood's a really honest business. They don't pull any punches. They tell you exactly what you want-I want the fake breasts and the flat car and the big pool. You know, they're real up-front about it.
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