My early stories revolved around reality and faith. I wrote a series of stories about the darker aspects of Christian myth: a woman who hides in the attic and watches the Apocalypse, a cult whose members preserve themselves in huge formalin tubs waiting for the Second Coming, and so on.
I did disagree with Ronald Reagan very strongly on trade. I disagreed with him. We should have been much tougher on trade even then. I've been waiting for years. Nobody does it right.
Anytime that I have an impulse to pull out my phone and take a picture, especially of a landscape or something, if the first thing I do is reach for the phone, I actually force myself to sit there and at least wait thirty seconds before I actually grab my phone. I'm, like, "No, sit here for thirty seconds, and just see what you think about. What does this make you think about?"
Without the heart to ground it and open it to who we really can be as human beings, the brain is a very dangerous machine. A machine that is saying: we've got to have economic growth; we've got to have unending economic growth, otherwise societies will collapse. And yet there should be something saying: wait a minute, this isn't going to work.
Chimps are brutal, and it is so deliberate. The males go out and get near the boundary of their territory. And they walk very silently trying hard not to make any noise. They will climb into a tree and stare out over hostile territory for hours. They are waiting for the right opportunity. And then they attack.
I suppose we all have a lil' inner or outer a-hole inside of us, just waiting for the right opportunity to rear their own beautiful buttholes.
I can't wait to get off the bus and... go on stage and entertain people. That's my thing, that's what I love. I love doing it... I thank God I can make a living doing it.
The role I played [in theatre] was originated by Ian McKellen in 1979 and he came. I didn't know he was there and I walked out at the end of the play, which is a very intense play - my character is required to do some really horrible things - and the director was waiting backstage and he goes, "Obviously I didn't want to tell you guys, but Ian was here today" and we, of course, freaked out.Ian McKellen said some really beautiful, kind things, one of which was, "It's so much harder to watch than it is to do."
The people who are making a lot of money and eating at McDonald's and watching MTV and have square eyeballs, they're over there. And then maybe there's like five other people left in America and I'm just waiting for them to come up with something interesting.
In the words of Frederick Douglas, power concedes nothing without a demand; it never has and it never will. We must be that demand. We are the ones we've been waiting for.
When you're waiting for a bus, the thing to do is smoke a cigarette.
When you discover your sexuality - like when you're little, you don't notice it. Then suddenly you're walking down the street and you're whistled at. And you're like, Oh, I have this power I didn't know about. And you also discover you're kind of prey. And you're like, Wait, that's confusing.
Jesus Christ rose up from the tomb. Well, he's the son of God, and now he's like God's spirit at this point. Why would a spirit need to move a rock? Why not just pass through the rock? But also, why wait for the guards to go to sleep?
We've finished our debut album which has 14 tracks. We're very proud of the release and can't wait for people to hear it.
As I tell my intro creative writing students, after reading someone you love, wait at least an hour before starting to write.
My mother was superb. Even when I said to her, when I was nineteen, oh, I'm going to India. Her immediate reaction was, oh yes dear, and when are you leaving? She didn't say, oh how could you leave me, your mother? Or wait a bit dear until you get a bit older and you know your own mind. She just said, well, when are you going? And that was because she loved me, not because she didn't love me.
Traditionally, women didn't have much a role in Buddhism. The books were all written by monks, for other monks. So the general view of the feminine was rather misogynistic, with women playing the role of the forbidden other, waiting to pounce on innocent little monks! In that society, it was hard for women to become educated and get the deeper teachings and really become accomplished.
One of the greatest pleasures I get from my measly professional career is confusing people. "Wait - he beats women and seems like a Nazi, but he has impeccable grammar and keen reasoning skills and sings country music and can, from time to time, say or do something really funny?" It absolutely doesn't compute for them. I enjoy that immensely.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
Senate has to advise and consent. That doesn't mean you have to vote yes; you can vote no. It's not a rubber stamp. But what these guys are doing is, "Wait a minute, we don't have to vote yes or no, and maybe we can trick our voters into not holding us accountable for not voting yes or no."
I'm really proud of the album. It's something I always wanted to do but I had to wait until I was ready. Shakespeare is a culmination of eight years of stand up experience and joke writing. I recorded two shows at the Upright Citizens Brigade Theatre in New York. The crowds were great and that's what really makes an album.
Ivy [Wilkes] does exhibit a certain impatience at the beginning of the book [The Dissemblers]. She doesn't want to wait through years of hard work and insignificance to make her mark on the art world. Part of her growth is in realizing - even embracing - that the process of art is more important than the product or the recognition.
I am just always, always paying attention - waiting for the words, or image, or name that will be the beginning of a story.
I show up and try, but I may have to ask myself if I need to wait and let myself regenerate and take a break. I know that this thing that makes the stories has to be treated gently. So sometimes I'll just stop and let the well fill up. With my work, sometimes I hate doing it, but I love having done it. The key is to keep doing it.
I don't want to wait for Hollywood to decide that what I do is good.
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