Visuals Quotes - Page 39

• Nature's purpose in relation to the visual arts is to provide stimulus not imitation. From its ceaseless urge to create springs all Life - all movement and rhythm - time and light, color and mood - in short, all reality in Form and Thought.

  Hans Hofmann

  Art, Spring, Reality

  "Hans Hofmann". Book by James Yohe, 2000.

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• To know how scientists engage in visual imagery is to understand how they think creatively.

  E. O. Wilson

  Thinking, Scientist, Imagery

  "Letters to a Young Scientist". Book by E. O. Wilson, 2013.

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• I'm not as klutzy as I used to be... I've had visual therapy and all kinds of things to help, but I still wrap my purse around chair legs when I stand up to leave. I do ridiculous things on camera because I do them in my life all the time.

  Shelley Long

  Cameras, Legs, Purses

  "Funny Ladies: The Best Humor from America's Funniest Women". Book by Bill Adler,

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• For me the visual is just as important as the music. I would never record without my red lipstick. It was my way of getting into character, sort of like Method singing.

  Christina Aguilera

  Character, Red Lipstick, Singing

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• Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."

  Jasper Johns

  Art, Thinking, Vision

  "Marcel Duchamp (1887-1968)". Jasper Johns, "Artforum International", Volume 7, No. 3, November 1968.

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• I begin with movement... I believe that all human visual experiences are born from movement..

  Ernst Ludwig Kirchner

  Believe, Movement, Born

  "Kirchner and the Berlin street" edited by Deborah Wye, Moma, New York, (p. 39), 2008.

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• If you see yourself in a favorable light, if your image of yourself is pleasant, if this visual concept of yourself cannot be shaken by temporary defeats, then you have reached the goal achieved by the most fortunate. Not everyone reaches this mental state; in fact, many people do not even believe it is possible. Happiness and peace of mind are a matter of consciousness. We must create the inner-harmony we desire. This type of awareness is not an accident, it comes from study and an understanding that we are truly creative.

  Bob Proctor

  Believe, Light, Temporary Defeat

  FaceBook post by Bob Proctor from Jan 07, 2012

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• Unlike art, the consumption of fashion is not based primarily on knowledge or education but functions through visual awareness, a type of sensuality and perception of the corporeal self.

  Valerie Steele

  Fashion, Art, Self

  Valerie Steele (2005). “Encyclopedia of clothing and fashion”, Charles Scribners Sons/Reference

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• Merz art strives for immediate expression by shortening the path from intuition to visual manifestation of the artwork... they will receive my new work als they always have when something new presents itself: with indignation and screams of scorn.

  Kurt Schwitters

  Art, Expression, Intuition

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• Artists who have produced experimental innovations have been motivated by aesthetic criteria: they have aimed at presenting visual perceptions. Their goals are imprecise, so their procedure is tentative and incremental.

  David Galenson

  Artist, Goal, Innovation

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• My paintings have an ongoing dialogue with photography. There are many painters who would say the same, I'm sure. The difference is that I'm thinking more about the temporal aspect of photography, rather than the visual.

  James Nares

  Photography, Thinking, Differences

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• Through a process of trial and error and experimentation, I discovered the simplest method - using only black - produced work with the strongest visual impact installed.

  Paul Russo

  Impact, Errors, Black

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• When Bill Gates started Corbis we were told that he needed images to fill those digital picture frames in his home, and many found this plausible. But now it's pretty clear that he's set out to control the visual history of the twentieth century.

  Philip Jones Griffiths

  Home, Bills, Digital

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• To me, photography is not just a visual art, but something closer to poetry - or at least to some poetry, such as the haiku.

  Frank Horvat

  Photography, Art, Haiku

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• A lot of people in the art world hate to use the word "Photoshop", like it's cheating or easy or something. I say bollocks to that - for me, it's my tool, my paintbrush if you like, and lets me create my own visual language.

  Idris Khan

  Cheating, Art, Hate

  "'A lot of art people hate Photoshop... bollocks to that'". Interview with Natalie Hanman, www.theguardian.com. August 31, 2007.

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• Though infested with many bewildering anomalies, photographs are considered our best arbiters between our visual perceptions and the memory of them. It is not only their apparent 'objectivity' that grants photographs their high status in this regard, but our belief that in them, fugitive sensation has been laid to rest.

  Max Kozloff

  Memories, Objectivity, Perception

  Max Kozloff (1979). “Photography & Fascination: Essays”

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• Illusions as bad as mine make people aware of the fallacies of visual information and the pleasure to be derived from such fallacies.

  Vik Muniz

  People, Information, Illusion

  Vik Muniz, Charles Stainback, Mark Alice Durant (1998). “Vik Muniz: seeing is believing”

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• The postmodernist critique of representation undermines the referential status of visual imagery, its claim to represent reality as it really is - either the appearance of things or some ideal order behind or beyond appearance.

  Craig Owens

  Reality, Order, Appearance

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• [My photography teacher] gave me the Mexican Day Books of Edward Weston and just blew me away with this work. The fact that you could be this fabulous visual artist, with all this milieu of people like Diego Rivera and you could sleep with these gorgeous, amazing women, that you could live that life - that photography could deliver you that life.

  Max Pam

  Photography, Teacher, Book

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• It sometimes happens that you just know... You have a feeling that things are coinciding, and that they operate and work on a number of levels - obviously visual aesthetics, but also content and narrative in terms of the bigger picture. When document and metaphor come together.

  Paolo Pellegrin

  Numbers, Feelings, Together

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• Racism is a visual pathology.

  Adrian Piper

  Racism, Pathology

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• Photojournalist? With a few exceptions, those of us working as photojournalists might now more appropriately call ourselves illustrators. For, unlike real reporters, whose job it is to document what's going down, most of us go out in the world expecting to give form to the magazine, or to newspaper editor's ideas, using what's become over the years a pretty standardized visual language. So we search for what is instantly recognizable, supportive of the text, easiest to digest, or most marketable - more mundane realities be damned.

  Eugene Richards

  Jobs, Real, Editors

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• The decisive moment, the popular Henri Cartier-Bresson approach to photography in which a scene is stopped and depicted at a certain point of high visual drama, is now possible to achieve at any time. One's photographs, years later, may be retroactively rephotographed by repositioning the photographer or the subject of the photograph, or by adding elements that were never there before but now are made to exist concurrently in a newly elastic sense of space and time.

  Fred Ritchin

  Photography, Drama, Years

  Fred Ritchin (1990). “In our own image: the coming revolution in photography : how computer technology is changing our view of the world”

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• Generally, the imagery and the text go hand in hand. It's much easier when the text comes first, but sometimes I need visual stimulation in order to find the words. I get an idea of what I want when I begin to shoot, and the text is usually the last thing to be resolved. I tend to leave the text open, and I refine the words up to the last minute. As for the image, I can resolve that and get that done fairly quickly.

  Lorna Simpson

  Order, Ideas, Hands

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• The visual system of the brain has the organization, computational profile, and architecture it has in order to facilitate the organism's thriving at the four Fs: feeding fleeing, fighting, and reproduction.

  Vilayanur S. Ramachandran

  Fighting, Order, Organization

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