Surrealism had a great effect on me because then I realised that the imagery in my mind wasn't insanity. Surrealism to me is reality.
There's so much negative imagery of black fatherhood. I've got tons of friends that are doing the right thing by their kids, and doing the right thing as a father - and how come that's not as newsworthy?
Politics will eventually be replaced by imagery. The politician will be only too happy to abdicate in favor of his image, because the image will be so much more powerful than he could ever be.
Only powerfully conceived images have the ability to penetrate the memory, to stay there, in short to become unforgettable.
What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical.
The imagery is very much released from reality. It's not nailed down to specifics of the words. They're painting a picture, not telling linear stories.
A speech is poetry: cadence, rhythm, imagery, sweep! A speech reminds us that words, like children, have the power to make dance the dullest beanbag of a heart.
When an idea is important to a person or culture it will find its way into imagery.
The awareness of imagery is part of living... a life which derives its power from within itself will focus on the perception... of images.
Our normal sense of the person as a lonely island of consciousness, is a dramatic illusion based on theological imagery.
The underlying purpose of all art is to create patterns of imagery which somehow convey a sense of life set in a framework of order ... all great art ... harmonises consciousness with the ego-transcending Self.
The moment our discourse rises above the ground-line of familiar facts, and is inflamed with passion or exalted thought, it clothes itself in images. A man conversing in earnest, if he watch his intellectual processes, will find that always a material image, more or less luminous, arises in his mind, contemporaneous with every thought, which furnishes the vestment of the thought.... This imagery is spontaneous. It is the blending of experience with the present action of the mind. It is proper creation.
Photography suits the temper of this age - of active bodies and minds. It is a perfect medium for one whose mind is teeming with ideas, imagery, for a prolific worker who would be slowed down by painting or sculpting, for one who sees quickly and acts decisively, accurately.
Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.
You cannot base a whole movie on just the imagery alone. It has to be the story and the characters.
Imagery is not past but present. It rests with what we call our mental processes to place these images in a temporal order.
A tendency toward the abstract is inherent in linear expression: graphic imagery being confined to outlines has a fairy-like quality and at the same time can achieve great precision.
I don't really need to be inspired by literature though. At the end of the day it's colour and imagery moved around until it works.
We can produce imagery to share the beauty of the oceans and what is there to protect. We can also expose the truths about overharvest, climate change, and habitat loss to give oceans a voice.
I tend to think having that extreme of color, that kind of black, is amazingly beautiful...and powerful. What I was thinking to do with my image was to reclaim the image of blackness as an emblem of power.
Obviously a drawing of a person is not a real person, but a drawing of a line is a real line.
I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.
There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's like imagery there. That always stuns me.
One of the things you do as a writer and as a filmmaker is grasp for resonant symbols and imagery without necessarily fully understanding it yourself.
And so, when I was a young writer I always worked hard on imagery, and I knew that the roots of imagery were the senses - and that if my readers could feel, taste and see what I was talking about, I would be able to tell them a story.
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