When I work with my art department on putting imagery together for my blog posts I always think, 'Would I pin this?' That really helps.
Yet some of my friends tell me they understand 50 percent of what my mother says. Some say they understand 80 to 90 percent. Some say they understand none of it, as if she were speaking pure Chinese. But to me, my mother's English is perfectly clear, perfectly natural. It's my mother tongue. Her language, as I hear it, is vivid, direct, full of observation and imagery. That was the language that helped shape the way I saw things, expressed things, made sense of the world
I write in my own journal when something extraordinary or funny happens. And there's some nice imagery in there. I don't think of what to do with it.
I started out in theatre and I definitely have wanted to add extra musical elements to my music with both imagery and text.
We may live without her, and worship without her, but we cannot remember without her. How cold is all history, how lifeless all imagery, compared to that which the living nation writes, and the uncorrupted marble bears!
There are some people who believe that dreams really are just kind of a throwaway thing. They are just a way of your brain processing what's happening during the day, but there's really no meaning to them; a lot of imagery of just flashes of what happened.
I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls.
When a friend of mine introduced me to the music of Luca C & Brigante I was stuck with an apocalyptic feeling, as if I were listening to the sound of a party at the end of the world. And with such strong imagery coming to mind I was only too happy to write with them when they asked. Flash of Light is about that last night on earth, a forewarning of the end of an era and a last chance to Love.
The type of adverts to be found on television and in glossy magazines are visually designed to have a power over the mind before they can even be questioned. The dark side of my work, primarily concerns the internal mechanisms of visual imagery and how these mechanisms address the mind.
Idiom is larger than geography it is the hot breath of a people singing, slashing, explorative. Imagery becomes the magic denominator, the language of a passage, saying the ancient unchanging particulars.
I still love poetic imagery. I love the idea of using surrealist speak to generate lyrical content and I love the way English can be exciting in and of itself.
The power of imagination is incredible. Often we see athletes achieving unbelievable results and wonder how they did it. One of the tools they use is visualization or mental imagery… they made the choice to create their destinies and visualized their achievements before they ultimately succeeded.
You'll get this kind of psychological relationship to the imagery of the music, but that idea is translated to iPhone apps. It's translated to the small, you know, kind of icons on your computer. You name it.
The worst forms of tyranny, or certainly the most successful ones, are not those we rail against but those that so insinuate themselves into the imagery of our consciousness, and the fabric of our lives, as not to be perceived as tyranny.
These political passions are born of a hunger so deep that it touches on the spiritual. Or they were for me, and they still are. I want my life to be a battle cry, a war zone, an arrow pointed and loosed into the heart of domination: patriarchy, imperialism, industrialization, every system of power and sadism. If the martial imagery alienates you, I can rephrase it. I want my lifemy bodyto be the place where the earth is cherished not devoured, where the sadist is granted no quarter, where the violence stops.
I have a taste for the macabre. I really am not drawn to imagery that is pretty, things that are just pretty. I’m drawn to things that challenge you, that make you nervous, that make you uncomfortable.
The practice of imagination, on an everyday basis, involves clearing unhelpful images that block or misdirect our energies, and choosing to focus on positive, mobilizing imagery that gives us courage and confidence.
It's a really fun hobby to set imagery to music, and finding the right songs for that. Your favorite song in the world might not work at all... for one reason or another.
I'm not a fan of 3D. But I am a huge fan of digital imagery. Because it allows a filmmaker much more latitude to appreciate their own visions and dreams.
Advance warning of Katrina's path was wrested from mute Nature by meteorological calculations and satellite imagery. God told no one of His plans. Had the residents of New Orleans been content to rely on the beneficence of God, they wouldn't have known that a killer hurricane was bearing down upon them until they felt the first gusts of wind on their faces. And yet, as will come as no surprise to you, a poll conducted by The Washington Post found that 80 percent of Katrina's survivors claim that the event only strengthened their faith in God.
...a major triumph of mathematical imagination: the use of visual imagery to condense a large quantity of information into a single comprehensible picture... Mathematicians are just beginning to understand these basic building blocks of change and to analyze how they combine. The methodology involved has a very different spirit from traditional modeling with differential equations: it is more like chemistry than calculus, requiring careful counterpoint between analysis and synthesis.
Fairy tales are loved by the child not because the imagery he finds in them conforms to what goes on within him, but because--despite all the angry, anxious thoughts in his mind to which the fairy tale gives body and specific content--these stories always result in a happy outcome, which the child cannot imagine on his own.
CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them. The way we did it, everything was actual photographed images. A lot of that stuff was shot through a microscope of chemical reactions, yeast growing, lots of weird things, by Peter Parks. We put it into a computer and collaged it, manipulated it. Meaning we digitally shaped it to fit with other images. But there was no computer-generated imagery at all.
For me, the stereoscopic imagery was a new game to play with. Surprisingly enough, it's also a return to tradition. I'm back with paper-looking puppets moving about in several layers of theatrical backgrounds.
You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.
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