This is the launch of the Doctor Strange film interpretation, of - in my view - a classic, which has been interpreted many times by other graphic artists and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.
We can be certain that, if there are conflicting views in different cultures, some of these views must be false. This may help us to transcend our own narrow cultural horizon.
In terms of what is the solution is going forward, in my view, it is the grassroots human-rights groups - both Israeli and Palestinian - that are doing exactly what needs to be done, which is building trust, developing relationships and building that sense of common community which is essential if we're going to figure out how to move forward.
Yet we have a voting system that forbids us from actually bringing our values into our vote, which is, in my view, quite a disaster.
In my view, this is not extremism on the left. This is what the American people support in poll after poll. Support the right to a job. Support living wages. Support real climate action. Support small community-based banks that make loans available to every day people and small businesses, not these too-big-to-fail banks that rip us off, that crash the economy at taxpayer expense. Support a public-option healthcare system, not Obamacare, which has been a boondoggle for insurance and pharmaceutical companies.
My views are heretical to people who believe in political correctness.
In any democratic country you have more than one view.
Donald Trump reflects a distorted view of the American people and what this country is all about.
The way I look at stories is often from far outside, like a god's point of view, and also very, very subjective.
I think it is really really important that those of us who have deep-faith lives don't feel like we could substitute our own views for everybody else in society regardless of their views.
The impresario functions as a bridge and a translator. He or she is a bridge between the creative point of view - which is often very focused on the creative task itself - and the resource-allocation process. The impresario has to make certain the funds and people required to get that task completed are available.
My clinical psychologist wife of 40 years has always had a close intellectual influence on me. When I was beginning to talk openly in the economics profession about irrationality in decision-making, I received a lot of criticism. Ginny would support my views and remind me that a whole other profession - psychology - studies people's irrational sides.
It takes time to develop a sense of humor, shared world views.
I disagree with the widely held view that it is metaphysical necessity, not nomological, that matters in the mind/body problem.
What I thought was so great about Rise [of the Planet of the Apes ] was that it wasn't a retelling; it was an entering of the universe at a different point. So it's Planet of the Apes. We already know the ending. There's no mystery in that! It becomes Planet of the Apes. So it's not about what is at the end; it's about how did we get there? And that enabled something that was totally fresh, which was an ape-point-of-view movie.
The challenge and the goal was to get inside Owen's [Suskind] world, because I really wanted to see it through his point of view. To achieve that naturalism, I used a screen in front of a camera as I interviewed him
The editor, Stephen Segal, actually called me with the idea of creating an accordion book [ "The Thorn & The Blossom"], and asked if I could write a story for it. I was so intrigued! I immediately knew that it had to be a love story told from the points of view of the two main characters. Right away, I started working on a proposal. And once I had my main characters, Brendan and Evelyn, it was as though they started telling me their stories.
The Yeas are relatively uniform. They view [Bob] Dylan as one of the greatest artists of his or any era, who deserves to be taken as seriously as any litterateur. Where they vary is in some cases not even accepting the distinction: Dylan in their eyes is a literary titan, and the award of the Nobel Prize for Literature is simply official affirmation of what they already knew.
First of all, there are those who simply don't care for [Bob] Dylan, or at least, don't think he's that great. Some of the former sound very much as if they are afflicted with the kind of contrarianism inevitably bred by cultural orthodoxy - Dylan is overwhelmingly rated a giant and a marvel, the acclamation of whom they feel to be de rigueur; and rather than judge for themselves, they embrace the opposite view.
[I have] my own view about [Bob] Dylan's Nobel prize. Which is, I'm firmly in the Nay camp. I do think the award is a category error, but that's not why. Not in itself. What bothers me is the perceived status of the categories. If pop lyricists were routinely considered for the prize as are authors and poets, I'd still think it mistaken, but I wouldn't much care. But I am quite certain that Joni Mitchell and Leonard Cohen, for example, both at the very least Dylan's equals as writers, have never been in the running and never will be.
You know, whatever it takes. It's very important obviously from an economic point of view because of the need for innovation, for progress, to improve the standard of living of people. But I also think it's a critical issue in geopolitics too.
As a matter of fact, when people ask where my 'point of view' comes from, it was there in one of the first sketches we wrote for [Dean] Martin and [Jerry] Lewis.
I remember that Jackie [Stewart] was the first driver wearing flameproof underwear! What it definitely was: it was much more flamboyant. But that doesn't really make it better in my point of view.
In that - and that is my personal view - Singapore delivers the most value, as they think about Formula One as a complete entertainment event, on and off track.
Yes, there are billions more photographers, and billions more photographs every day, but who's building up a point of view? Who's photographing with intention, and whose body of work will sustain itself and survive?
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