A child might be made to bow every time he met a certain person by pressure on his neck muscles, and bowing would finally become automatic. It would not, however, be an act of recognition or deference on his part, till he did it with a certain end in view - as having a certain meaning.
To have an idea of a thing is not just to get certain sensations from it. It is to be able to respond to the thing in view of its place in an inclusive scheme of action; it is to foresee the drift and probable consequence of the action of the thing upon us and of our action upon it.
Every time you go into a movie, you go into the point of view of who it is about.
I've seen my kids' work at school, and I think they're better than when I was young, 'cause I was brainwashed into anti-Communism. This is a much more interesting view of history than I've ever seen, and I hope to God it works. It's classic history, classically told. No talking heads. Just pure archival footage and a storyline.
Of course, intersectionality theory is a confused muddle. It fights racism and sexism by classifying everyone according to race and sex. It views race and gender privilege as the root of all evil, while ignoring the role played by dogmatic ideologies held by all genders. And it is unfalsifiable - to its adherents, criticism and rejection of the theory actually demonstrate its truth, by showing how deeply we all have internalized our oppression.
So far there has been little discussion among gender scholars about the need to engage with skeptics. They tend to view skeptics and dissenters as cranks.
While I deplored and denounced the incivilities of Quakerism in my day (such as the going naked in public by some at sundry times), my position regarding their religious views was, "They will answer to God, at their own peril, in the great day approaching [that is, the day of divine judgment]."
If you go in a confirmation process, you're going to be asked about the embarrassing or stupid things you said. You should have a view.
I don't know how to write jokes from the point of view of a six-foot-two guy. So, I'll always talk about it, but I just don't want it to be the absolute focus of all of my act.
However, it was not us who refused to freeze oil production; our Saudi partners changed their point of view at the last moment and decided to slow down the adoption of this decision. I would like to reiterate our position, it remains the same.
There is no need for the Russian state to hold such large stakes and we do intend to put our plans into practice. It is not about whether we want it or not, it is about this being practical or not and the best timing. In general, it is practical from at least one point of view - from the point of view of structural changes in the economy.
Thus, in view of what I have said, we could not officially hack [Hillary's Clinton mail]. It would require certain intuition and knowledge of the U.S. domestic policy peculiarities. I am not sure that even our experts from the Ministry of Foreign Affairs have such intuition.
We see that leaders in Western Europe [there are some debates of course, we also see that and analyse it all] stick to, I cannot say right or wrong ones, it always depends on someone's view, but I think, very pragmatic approaches in addressing economic issues.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
Some writers' view of things depends upon the success of the final result. I'd rather stand or fall on my own concepts. But there is a fine line to be drawn between pointing up something or distorting it.
I think it is the responsibility of critics to rely less strenuously on, to use a Hollywood phrase, "what they can live with," and more on an examination of the works of art from an aesthetic and clinical point of view.
You may dislike the intention enormously but your judgment of the artistic merit of the work must not be based on your view of what it's about. The work of art must be judged by how well it succeeds in its intention.
I wish everyone in this country could magically leave the country for six months and view the United States from the outside for six months, and I think you'd see a new perspective to the people of this country.
All was glorious - a cloudless sky above, a most delicious view around. . . . How great is our good fortune! I care not what may be the condition of the earth; it is the sky that is for me now.
In post modern culture, people not only have their own views, they think they are entitled to their own facts.
For if animals are God's creatures, we have no absolute rights over them, only the duty to look after them as God would look after them. To stand with Jesus is to reject our view of ourselves as gods and lords of creation. We are to honor life for the sake of the Lord of life.
You've got all these characters and yet, you're hovering over one character like a fly over a stinky diaper. Realize that you've got a kickass superpower: you can possess and take-over anybody inside the story. With the power of Point-of-View, you can drag us along for the ride. You can shove us into their eyes, their minds, you can force us to piggyback on their experiences past and present. Sometimes untangling a knotted-up tale means looking at it from different eyes: what better eyes than those of the other characters inside the story?
The biblical case for vegetarianism does not rest on the view that killing may never be allowable in the eyes of God, rather on the view that killing is always a grave matter. When we have to kill to live we may do so, but when we do not, we should live otherwise.
This willful deafness to religious argument, so new in our history, has had various effects. A principal one is encouragement of the already widespread view that religion doesn't have a lot to do with modern concerns - the way people live, the way they think.
There's a rumbling with young artists and young filmmakers that are dying to get different points of view, different stories, out there. It's all changing and happening and they're able to maybe not play their movies in theaters but get them on the internet. This is the new wave, the new world.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: