Go home, pick up your video camera, and make a film.
We think of our eyes as video cameras and our brains as blank tapes to be filled with sensory inputs.
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
This is not a phone business. This is the smallest video camera, it's the smallest computer, smallest TV.
If you buy your husband or boyfriend a video camera, for the first few weeks he has it, lock the door when you go to the bathroom. Most of my husband's early films end with a scream and a flush.
The film camera's ability to physically move through space, not zoom through space - every time we have a video camera the movement is through zoom; every time we have a film camera it is a physical movement.
Major power and telephone grids have long been controlled by computer networks, but now similar systems are embedded in such mundane objects as electric meters, alarm clocks, home refrigerators and thermostats, video cameras, bathroom scales, and Christmas-tree lights - all of which are, or soon will be, accessible remotely.
The many pro-surveillance advocates I have debated since Snowden blew the whistle have been quick to echo [Google CEO] Eric Schmidt's view that privacy is for people who have something to hide. But none of them would willingly give me the passwords to their email accounts, or allow video cameras in their homes.
I'm not so much in the future as always in the present. The future always takes care of itself. What I do now with my video camera, it can only record what is happening now. I am celebrating reality and the essence of the moment. And that's the greatest challenge that I have.
I took my children to see 'Son of Rambow,' about two boys who make a home movie with a video camera. When you have children, culturally you become involved in their life.
Modern technology has conveniently provided a measuring stick by which you can determine whether or not you are conducting your business in an acceptable, ethical way. . . . You can ask yourself: How will I feel if my business dealings today are secretly recorded on a hidden video camera, and appear on this evening's television newscast for all to see?
The video camera dominates art. It's a bore, it makes everything look a bit the same. If you look at things with a pencil and paper in your hand, you are going to see far more.
I moved to California when I was twelve and I got a video camera and made little movies because I didn't have any friends yet. I would force my sister to make these movies with me - which became my YouTube channel.
Sometimes you're not always on or at your best, especially during auditions. So if you go in and you don't nail it, even if they're like, 'We don't need to see you again,' get a friend, get a video camera, and film you doing the stuff again.
See, people are watching you. Especially your children. They're taking in every single thing you do. They are like video cameras with legs. And they are always in the record mode. They learn more from what you do than from what you say.
I was shocked the first time the paps got me in America - when a video camera is put in your face and you're asked questions and 15 people are walking backwards taking your picture. I was coming out of a pizza shop and had my daughter with me.
I like making little videos and little records. I've always loved video cameras and four-track cassette recorders, still cameras, anything.
If you ever see me getting beaten by the police, put down the video camera and come help me.
I was on the yearbook staff, so I would take out film cameras and Nikons and take photos around school and at sporting events and things like that. We had a darkroom as well. I just loved it. I also saved up for a video camera to video my friends and cut and paste the videos together and I gave them to all of my friends for graduation.
No one was jumping up and saying, 'Yeah, let me give you money.' I had never held a camera in my hand - a home video camera, nothing. I had not directed.
People can't imagine an enemy that would cut someone's head off before a video camera and spread it out across the world. But that has happened with the kind of enemy we are now facing.
With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing.
I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday that's something that really means a lot to me, and I know I'll have the chance to do it one day.
For many years I had an impression of my golf swing, which was that I vividly resembled Tom Weiskopf in the takeaway and Dave Marr on the downswing. Unfortunately, there came a day when I was invited to have my golf swing filmed via a video camera. Something I will never do again. When it was played back, what I saw - what you would have seen - was not Weiskopf and Marr but a man simultaneously climbing into a sweater and falling out of a tree.
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