People didn't get to see how other towns interpreted the underground ethos, and so they developed their own unique versions of it.
I am one Dana when I am talking to my daughter, another when I am talking to the IRS, and another still when I do an interview. These characters are just extreme versions of ordinary human self-switching.
I have to play really loose versions of songs I've made on the computer.
When Depeche Mode put out a single you knew that a week later you could go and buy the 12" and it would have six versions and they were all better.
I don't really watch too many remakes. I saw Scorsese's version of Cape Fear, which was good. That was a good remake.
I started playing bass in my friend's band for some reason. It was just something I did because, well, he asked me if I wanted to play bass and he played me this song - Nirvana's version of "Molly's Lips", the Vaselines song - and he said, "You can do this! This is not hard!" and it's like a two-note song. I learned that and then I thought I was a genius.
I perceive everything to be constantly subjective and strange. My version of truth in what I express, it feels like that opaque quality that you're talking about. It's just me being legitimate.
It's no surprise that at the same time that American universities have engaged in a serious commitment to diversity, they have been thought-prisons. We are not talking about diversity in any real way. We are talking about brown, black, white versions of the same political ideology.
Finding the form was really a very dynamic process. I went through a lot of shifting, trying to get it right. Because the writing took place over such a long time, it's hard for me to pinpoint when specific things happened, but basically the final version only materialized in the last two or so years. It was there, but it took me a while to see it and then to refine it after I'd seen it.
During the Gulf War, journalists used to challenge government news managers and insisted they wouldn't just accept the official version of events.
But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.
In deep learning, the algorithms we use now are versions of the algorithms we were developing in the 1980s, the 1990s. People were very optimistic about them, but it turns out they didn't work too well.
I'd like to be in a female version of The Fugitive. Something where I don't have to be ripped up like an action star, but be a normal, healthy lady who is framed and on the run. I'd have to run from explosions and punch people in the face but not rappel down a building.
When you aren't working, you really want to emulate the real version of yourself.
My hair is wild and free, but I've always been told that [straight hair] is more polished, and a more polished version of yourself is a better version of yourself. That it's more professional.
I've always been a mythology lover, and so I took a great deal of inspiration from the tales of various dark gods and popular versions of Hell from the Greeks and the Norse stories.
And then after the success at Melbourne Comedy Festival, then we regrouped back in LA and we went back into workshopping and decided to develop a proper show and that's when we started working on "Stuffed and Unstrung," which is a much bigger and sharper version of "Puppet Up."
To me "King Kong" is a metaphor for America's fear of the black male. And to me that's obvious. All right? So I mean that was one of the first things I said when I was talking to a friend of mine after he saw Peter Jackson's version of "King Kong."
For each show, we do maybe 15 versions before it goes on air. So I know every show microscopically.
For me there's several components to picture-taking and it starts with my goals as an artist. It's capturing I guess the inner life of my subject and then it is giving them their idealized version of themselves.
Giving someone their style or bumping up their sense of style to be a better version of what it is, is part of the fun of what I do, and I actually approached Al Sharpton. They didn't come to me.
When people decide that a certain way of faith is destined and inevitable, hatred and intolerance follow. Instead of saying, 'The Light is within you, choose the Light,' the message becomes 'Agree with our version of history or we'll kill you.'
The psychological detective story in "Equus" made Peter Shaffer's name as a playwright. But it was his next play, "Amadeus," that cemented his reputation, largely because of the movie version. Another battle of wills, it was the story of composer Wolfgang Amadeus Mozart seen through the eyes of lesser composer Antonio Salieri.
A lot of new American directors have had mentors who have given them advice. And some of them have had the way paved for them by huge Hollywood directors who saw a younger version of themselves.
In Gypsy [Rose Lee] the musical, her mother, 'Mama Rose', is portrayed as a slightly eccentric, pushy, ambitious stage mother, but that version doesn't come close to the truth.
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