I began to write what I called 'rhythms' ie unrhymed pieces with no formal metrical scheme where the rhythm was created by a kind if inner chant... Later I was told I was writing 'free verse' or Vers libre.
With living colours give my verse to glow: The sad memorial of a tale of woe!
The stuff that I make and the things that I talk about, you have to listen, so if the beat is doing too much, it's going to take you away. If the hook is too distracting, it's going to take you away. The hook just needs to be enough to get you from one verse to the next.
Robin Williams was an airman, a doctor, a genie, a nanny, a president, a professor, a bangarang Peter Pan, and everything in between. But he was one of a kind. He arrived in our lives as an alien - but he ended up touching every element of the human spirit. He made us laugh. He made us cry. He gave his immeasurable talent freely and generously to those who needed it most - from our troops stationed abroad to the marginalized on our own streets. The Obama family offers our condolences to Robin’s family, his friends, and everyone who found their voice and their verse thanks to Robin Williams.
That question in marriage is mutual submission, really - the next verse goes on: "husbands love your wife as Christ loves the Church."
The simple Wordsworth . . . / Who, both by precept and example, shows / That prose is verse, and verse is merely prose.
We see then how far the monuments of wit and learning are more durable than the monuments of power, or of the hands. For have not the verses of Homer continued twenty-five hundred years or more, without the loss of a syllable or letter; during which time infinite palaces, temples, castles, cities have been decayed and demolished?
Feeble verses are those which sin not against rules, but against genius.
There was once a Hindu sage, who sat down on the banks of the Ganges and thought for seventy years about the millennium. Just as he arrived at the solution and was putting it into verse, a mosquito stung him and he forgot it again at once.
Mr Witwould: "Pray, madam, do you pin up your hair with all your letters? I find I must keep copies." Mrs Millamant: "Only with those in verse.... I never pin up my hair with prose."
With a lot of songs on this record, one verse doesn't relate to the next verse. I don't think that one day really relates to the next day in life.
Once it happened, as I lay awake at night, that I suddenly spoke in verses, in verses so beautiful and strange that I did not venture to think of writing them down, and then in the morning they vanished; and yet they lay hidden within me like the hard kernel within an old brittle husk.
When I began rapping, I only had one form at my disposal. All I had, all I needed was a rhyme verse; sixteen bar, thirty-two bar, whatever it was. If I had an idea it came out as a rhyme. When I challenged myself to think beyond that, my first thing other than a rhyme that I wrote was a play.
Free verse is like free love; it is a contradiction in terms.
And the verse falls to the soul like dew to the pasture.
We know that Muhammad waged war against the Qurayshi tribe, his own tribe, and it's from that conflict that much of the concept of jihad and verses that ISIS now uses to justify beheadings come from. A young man just told me that he went back and read this carefully [and saw] the prophet and his people were fighting the Quraysh because they were not allowing the prophet and his people to practice their religion.
Everything that's prose isn't verse and everything that isn't verse is prose. Now you see what it is to be a scholar!
I didn't know how write a song, (verse, chorus, verse, chorus, bridge, chorus, bridge, verse), etc., and I didn't know how to write lyrics, so that's when I thought, well, I don't have to write a song with all those verses and choruses or lyrics. I can just sing everything the way I want to. So I sang all the instruments with my voice and just went with it.
I just chuck a bunch of words down and whether they find themselves into a song... I have lots of weird notes on my phone. I often come up with a phrase that I really like, I write it down and it stays in my notes folder, and when I'm writing I will scroll through and see if it kind of fits and if I can mould a verse around it.
I think there's a faith formula in that verse: believe plus receive equals become. So I think believing's important, having intellectual agreement with Christian doctrine is important, but there has to be a time when we receive God's gift of grace - not that we've earned it or merit it or deserve it - but receive this free gift of forgiveness and eternal life that Jesus purchased on the cross for us.
I switch between fixed forms and free verse often, and enjoy being a poet who can "swing both ways," so to speak.
I know that one of the things that I really did to push myself was to write more formal poems, so I could feel like I was more of a master of language than I had been before. That was challenging and gratifying in so many ways. Then with these new poems, I've gone back to free verse, because it would be easy to paint myself into a corner with form. I saw myself becoming more opaque with the formal poems than I wanted to be. It took me a long time to work back into free verse again. That was a challenge in itself. You're always having to push yourself.
France at the dinner table in faraway places; but here, among ourselves, in the family, let us face the facts: France is not poetic; to tell the truth, she even feels a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.
Writing fiction, for me, is a more indirect form of self-exploration than writing verse. When I'm working on a novel I'm moving characters around and I'm thinking about plot and there's a lot of other things going on at the level of structure and story. With a poem, a single idea or line or emotion can sometimes be enough - there's often a sense, in the best poems, of capturing a single instant. Perhaps poems differ from prose in the degree of solace they can offer - by speaking so personally, so directly, about shared experience. A few lines of poetry can provide comfort.
The clear French landscape is as pure as a verse of Racine.
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