The Stooges used to be ubiquitous, back in the '60s and '70s. They were on TV all the time, but they're not on so much anymore. Kids aren't getting the chance to watch them, not to mention the fact that kids don't really necessarily relate to black-and-white stuff.
When you're acting on TV, you want to keep it real.
So many movies are so formulaic because you've got to get it done in an hour and a half. On a TV series, that's where the really interesting stuff can happen.
There were very few real folk singers you know, though I liked Dominic Behan a bit and there was some good stuff to be heard in Liverpool. Just occasionally you hear very old records on the radio or TV of real workers in Ireland or somewhere singing these songs and the power of them is fantastic.
If you don't feel a true passion through work, you can't do it. It's not possible for me. I've never done TV. I've never done commercials. I've never done anything for money. I can't do it. I wish I could. It would be easier.
Whoever calls and asks me to do stuff and obviously, with having your own TV show, people want you to get involved. They know you're a stand-up comedian so they're always looking for somebody funny to host an event.
To a certain degree, with a TV show, people are looking for a certain amount of familiarity. You don't want to pull the rug out, but you also want to keep things fresh and keep changing it up.
The thing about working on a TV show is that it becomes, very quickly, all consuming.
TV is just advertising for your live gig, so I'm playing whichever show is gonna get me the biggest crowd.
When I started in the business, years ago, people would always say, "You better get as much work as you can now because, once you get over 40, it's over." I don't see that with TV. Maybe it's because I am getting older, but the kinds of roles I'm drawn to are more mature roles.
I devoured TV - everything from Super Friends in the morning to Dukes of Hazzard and The Love Boat and Fantasy Island at night. I watched it all. There were only four channels, so you could actually consume all of television if you were good at changing the channel.
Never get in to it [acting] because you want to do it for the money. Have that passion in your heart, where you would do it for free just because you absolutely love it. If you just want to do it because you want to be famous, then go do reality TV.
When you do a TV show, there's always the fear that it will become tired and you'll know exactly what's going to happen.
TV and film are very different media with different requirements. In a TV show, you have actors and fellow writers and directors, who are interpreting your work. With a novel, you only have ink, words and your reader.
People always ask about the transition from TV show to a movie, but it felt like just going to a different school. You don't really notice the transition, when you're in the moment.
I'd always wanted to do a film than TV show because film is always where my heart has been. I like diving into the character for a few months, and then leaving it behind. I love the idea of that.
Film and television are very different. On the TV show, we do seven or eight scenes a day, so time and money are of the essence, and we have zero room for creativity because you've got to do each scene in only five takes. Whereas, on a film, you have an entire day to film one scene, so you have so much time to choose how you want to fill in a scene.
Cinema was always taking the big risks, and TV was ambling along behind, just trying to touch the hem.
There are tons of different reasons why you do TV series and why you don't, and how it'll affect your career, and all that. Without a doubt, it has always come down to the script for me. I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles.
If you are going to be on TV for however many years, you want to make sure that you have writers that are giving you something to work with, and I got that in spades.
With TV, you don't know, but you can build it as you go and bring some things to life. It's malleable, changeable and flexible.
TV [series] is a six-year decision. It's not four or five weeks. If a filmmaker and I don't get along, it's four weeks of your life, so whatever.
TV's hard work. I don't know how the hell Angela Lansbury survived doing 'Murder, She Wrote' all those years.
Friendship is so much healthier than other crutches -alcohol or TV or religious fanaticism. One healthy crutch shouldn't be against the rules.
Whoopi Goldberg looked like me, she had hair like mine, she was dark like me. I'd been starved for images of myself. I'd grown up watching a lot of American TV.
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