The attitude is in my personality. It's going to come out in the songs no matter what. If you're pushing the vocal constantly at 10, there's no room for any dynamics. There's no room for any variation in tone. There's no room for anything.
I think the emotion that song carries makes it good. Because you have to produce around something - an emotional attachment and a feeling. The melody itself has a feeling in it. The keys, the tones, frequency, sonics, all of those have feelings in it. Like, it's the ghost within, the music itself. That's what makes the song even have a possibility of being great. The emotional connection. Because if you don't have that, I don't think you really have a song.
The most important thing for me is the tone, the feeling, the pace. But why I'm doing this is not very clear to me. It's much more of an instinctual thing than an analytical process.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.
I was quite shocked at the tone I took and the judgements I had of the relationship that she embarked on, you know, sex with a minor. But it's the stuff of great drama.
The trumpet player, Ronnie Hughes, has still got his chops today but for some strange reason the culture doesn't call him because he's 83-years-old. And these people are in their 70s and 80s and 90s and came with such verve every day and would still be shooting these 10 and 12 hour days. So, that in itself made this an extraordinarily special occasion for all of us. It wasn't a job for the crew after a few days, it took on another tone.
That's kind of my goal: to build a new row of meaningful tones.
The guitar, by its very nature, the nature of its sound, by the soft nuance of its powerful and ancient voice, by the magic of the tone, goes directly to the part of oneself where love is felt. When I hear the sound of the guitar, it goes to some part inside of me that opens the door that holds feelings of love and everything that is beautiful which lives inside of me.
The government of the United States, under Lyndon Johnson, proposes to concern itself over the quality of American life. And this is something very new in the political theory of free nations. The quality of life has heretofore depended on the quality of the human beings who gave tone to that life, and they were its priests and its poets, not its bureaucrats.
Not until my fourteenth or fifteenth year did I begin to come across the word 'Jew,' with any frequency, partly in connection with political discussions.... For the Jew was still characterized for me by nothing but his religion, and therefore, on grounds of human tolerance, I maintained my rejection of religious attacks in this case as in others. Consequently, the tone, particularly that of the Viennese anti-Semitic press, seemed to me unworthy of the cultural tradition of a great nation.
Opera is music AND drama. I'm prepared to sacrifice the beautiful note for the meaningful sound any time... I can make a pretty tone as well as anyone, but there are times when the drama of a scene demands the opposite of a pretty sound.
I would never want to be a trend-spotter, in any field. I just think I would be bad at it. I have very limited range, in terms of the tone of the show, that I'm capable of making.
You can make a little thing feel like a big thing. To me, it's all tone. Tone is the most important thing in the world. Then character, then story, or something like that.
I don't write a word of the article until I have the lead. It just sets the whole tone - the whole point of view. I know exactly where I'm going as soon as I have the lead.
I have thus decided to make a certain film and now begins the complicated and difficult-to-master work. To transfer rhythms, moods, atmosphere, tensions, sequences, tones and scents into words and sentences in a readable or at least understandable script. This is difficult but not impossible.
The images are visual, auditory, olfactory, kinesthetic. They aren't laid down on the same tracks as thought. And sometimes, when they return to you, it is as if you feel them for the very first time. Memory lives on in the details, like the color of a room, a tone of a voice, the touch of a child, the smell of a man.
In general, even if I'm dealing with a historical subject, I begin with invention rather than investigation, because I need to understand what is going to be the voice or the tone of the story.
I can't be reading novels when I'm writing a novel, because somebody's voice creeps in. The hardest thing to do is keep the tone and your attitude over the course of a year or however long it takes.But when I'm writing short stories, which I will be doing shortly, I can read anything I like.
Very few recordings exist in which Hitler can be heard speaking normally. But in those that do exist, it's evident he possessed quite a warm, calm voice. It's a completely different tone from what he used in his public appearances.
When I sing the songs, there's a color tone and a place, and it's not a place that I remember in reality. It's usually based on a photo that I took - 'cause those photos don't look like the real world. The film distorts them, and the colors get exaggerated.
Our limbic system sets the mind's emotional tone and stores our highly charged emotional memories.
I like stories with a collision of disparate tones. Look at 'Shameless' or 'House of Lies'. They go from big, silly, and comedic to very real dramatic moments in the wink of an eye.
People say, 'Are you afraid? Are you scared for your life?' and I tell them: If I choose today to tone it down, if I choose today to shut up, tomorrow me, you, and all of us will be forced to.
There are times when I wouldn't rule violence out. I personally don't like violence at all. But it wasn't until we had the Trafalgar Square riots that the Poll Tax went out in Britain. When people take to the streets and fight the police, it's the one thing the government can't control. You can march round in circles for the rest of your life and they can ignore it, but once you start damaging property and fighting with the police, they can't. Even though they tar you with a brush and say you're a set of bastards, they have to actually tone down what they are doing.
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