REALISM, n. The art of depicting nature as it is seem by toads. The charm suffusing a landscape painted by a mole, or a story written by a measuring-worm.
. . . strange and fantastic things really happen. During a rainstorm in Australia, fish fall from the sky; several Southern states consider legislation that would make the licking of toads illegal; Lisa Presley marries Michael Jackson. You read these things and you think to yourself that realism may not be the best medium through which to express the real world.
I love to see that Nature is so rife with life that myriads can be afforded to be sacrificed and suffered to prey on one another; that tender organizations can be so serenely squashed out of existence like pulp, - tadpoles which herons gobble up, and tortoises and toads run over in the road; and that sometimes it has rained flesh and blood! With the liability to accident, we must see how little account is to be made of it.
You’d better tell me what you know, toad,” said Tiffany. “Miss Tick isn’t here. I am.” “Another world is colliding with this one,” said the toad. “There. Happy now? That’s what Miss Tick thinks. But it’s happening faster than she expected. All the monsters are coming back.” “Why?” “There’s no one to stop them.” There was silence for a moment. “There’s me,” said Tiffany.
Why should I let the toad work Squat on my life? Can't I use my wit as a pitchfork And drive the brute off? Six days of the week it soils With its sickening poison-- Just for paying a few bills! That's out of proportion.
And hence the poet must seek to be essentially anonymous, He must die a little death each morning, He must swallow his toad and study his vomit as Baudelaire studied la charogne of Jeanne Duval.
Irabu is a fat, pus-y toad.
Haply for I am black, And have not those soft parts of conversation That chamberers have; or for I am declined Into the vale of years—yet that’s not much— She’s gone. I am abused, and my relief Must be to loathe her. O curse of marriage, That we can call these delicate creatures ours And not their appetites! I had rather be a toad And live upon the vapor of a dungeon Than keep a corner in the thing I love For others’ uses. Yet ’tis the plague of great ones; Prerogatived are they less than the base. ’Tis destiny unshunnable, like death.
The moan of the whip-poor-will from the hillside; the boding cry of the tree-toad, that harbinger of storm; the dreary hooting of the screechowl.
"Glorious, stirring sight!" murmured Toad. . . . "The poetry of motion! The real way to travel! The only way to travel! Here today - in next week tomorrow! Villages skipped, towns and cities jumped- always somebody else's horizons! O bliss! O poop-poop! O my! O my!"
[Dalton] Trumbo wrote this incredible pamphlet, almost on the level of Tom Paine's 'Common Sense,' called 'The Time of the Toad.' It's an exquisitely written treatise regarding the black list era.
I am against people reaping where they have not sown. But we have a saying that if you want to eat a toad you should look for a fat and juicy one.
For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. Such are the autumn people.
My hounds are bred out of the Spartan kind; So flew'd, so sanded; their heads are hung with ears that sweep away the morning dew.
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