The scientist knows that the ultimate of everything is unknowable. No matter What subject you take, the current theory of it if carried to the ultimate becomes ridiculous. Time and space are excellent examples of this.
Karmic progression implies that we are kind of alliterating steps to life. There's alliteration, a kind of rhythmic structure. Once we're in time and space, the variable structures are somewhat limited.
Philologists, who chase A painting syllable through time and space Start it at home, and hunt it in the dark, To Gaul, to Greece, and into Noah's Ark.
All incarnations are lived at once, and yet there does seem to be a linear sense of time when you're in the vortex of time and space, when your consciousness is fixated in a body.
After man there would be the mighty beetle civilisation, the bodies of whose members the cream of the Great Race would seize when the monstrous doom overtook the elder world. Later, as the earth's span closed, the transferred minds would again migrate through time and space -- to another stopping place in the bodies of the bulbous vegetable entities of Mercury. But there would be races after them, clinging pathetically to the cold planet and burrowing to its horror-filled core, before the utter end.
From the point of view of enlightenment, none of this has ever even been. All time and space, all the conditions that are apparent in the absence of enlightenment are unreal.
Life is light and consciousness. Beyond this world and other worlds, beyond time and space and dimension, beyond what we call duality, is God
In meditation we research the field without time and space and activity, and yet produce a useful effect while conducting the research.
Nirvana is something that cannot be known here. I know it seems incongruous, but it is only incongruous from the perspective of the dialectical consciousness of division, of time and space
As the eye is the best composer, so light is the first of painters. There is no object so foul that intense light will not make beautiful; and the stimulus it affords to the sense, and a sort of infinitude which it hath like space and time, make all matter gay.
There is a fundamental difference between the Jewish idea of creation and that of Islam. The creation according to Islam is not a unique act in a given time but a perpetual and constant event; and God supports and sustains all existence at every moment by His will and His thought. Outside His will, outside His thought, all is nothing, even the things which seem to us absolutely self-evident such as space and time. Allah alone wishes: the Universe exists; and all manifestations are as a witness of the Divine will.
What I do for living, working on something called string theory which we think may answer the fundamental question: Are there other universes? Can you go through a black hole? Can you warp the fabric of space and time and meet your mother before you were born? These are all questions that in principle string theory should be able to answer.
Because of its concrete content, sense-certainty immediately appears as the richest kind of knowledge, indeed a knowledge of infinite wealth for which no bounds can be found, either when we reach out into space and time in which it is dispersed, or when we take a bit of this wealth, and by division enter into it. Moreover, sense-certainty appears to be the truest knowledge ... but, in the event, this very certainty proves itself to be the most abstract and poorest truth. All that it says about what it knows is just that it is; and its truth contains nothing but the sheer being of the thing.
Thou hast evoked in me profounder spells than the evoking one, thou face! For me, thou hast uncovered one infinite, dumb, beseeching countenance of mystery, underlying all the surfaces of visible time and space.
The world is chiefly a mental fact. From mind it receives the forms of time and space, the principle of casuality[sic], color, warmth, and beauty. Were there no mind, there would be no world.
The magic possibility of framing a certain space and time is what brought me to photography. This process of recording elements of 3 dimensions in the flow of time, and fixing them in a 2 dimensional image, creates a new context for the elements of the photograph.
But deepest of all illusory Appearances, for hiding Wonder, as for many other ends, are your two grand fundamental world-enveloping Appearances, SPACE and TIME. These, as spun and woven for us from before Birth itself, to clothe our celestial ME for dwelling here, and yet to blind it, lie all-embracing, as the universal canvas, or warp and woof, whereby all minor Illusions, in this Phantasm Existence, weave and paint themselves. In vain, while here on Earth, shall you endeavor to strip them off; you can, at best, but rend them asunder for moments, and look through.
I love isolation. It's very important for me to have time and space to myself when I can sit and read or write as well as paint. It's all part of the process.
The female experience throughout the history of Korea has been accompanied by physical and mental anguish. This negative aspect of Korean history is one of the driving forces behind my work. To imagine transcending time and space to live in the body of another person is not only one of the key elements that shape my work, but also, it is an opportunity to revisit and understand the ways women have long been viewed and treated in Korea.
The end of war begins with people who believe that another world is possible and that another empire has already interrupted time and space and is taking over this earth with the dreams of God.
It's an intelligence. It's not - you know, that's the other mistake we make, is we tend to project how we think of ourselves onto divinity. So divinity being infinite, unbounded, eternal, beyond space and time, is not a he or a she, it's a field of intelligence.
The decisive moment, the popular Henri Cartier-Bresson approach to photography in which a scene is stopped and depicted at a certain point of high visual drama, is now possible to achieve at any time. One's photographs, years later, may be retroactively rephotographed by repositioning the photographer or the subject of the photograph, or by adding elements that were never there before but now are made to exist concurrently in a newly elastic sense of space and time.
Space and time are figments of you're imagination, unless the guy you're flying next to won't shut up.
And yet my, not only my faith, but my experience has led me to believe that the world is not a construction of space and time and matter and energy. That that mapping is insufficient. That the world is instead some kind of a linguistic construct. It is more in the nature of a sentence, or a novel, or a work of art than it is in the nature of these machine models of interlocking law that we inherit out of a thousand years of rational reductionism.
All that is, was, and will be. Universe much too big to see. Time and space never ending, disturbing thoughts, questions pending. Limitations of human understanding. Too quick to criticize, obligation to survive, we hunger to be alive. All that is, ever, ever was, will be ever twisting, turning, Through The Never. In the dark, see past our eyes. Pursuit of truth, no matter where it lies. Gazing up to the breeze of the heavens, on a quest, meaning, reason. Come to be, how it begun. All alone in the family of the sun, curiosity teasing everyone. On our home, third stone from the sun.
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