It's inevitable that you will die, so the only question is when. The great thrillers are the moments that play and tease with the question, "When will it be?"
I've always been a huge fan of thrillers like David Fincher's 'Se7en.' I am fascinated by the disturbing, dark underbelly of life. I find such films deeply engrossing. They delve deep into the human psyche, and that's a place worth exploring.
After I tasted success with erotic thrillers, a time came when I was being offered only films belonging to that genre. The industry loves repeating a success formula, and the audience had formed a certain image of mine in their minds.
A lot of my books have been that way. My World War II thriller about Sarin gas [Black Cross] was published two months before the Sarin attack in the Japanese subway. There are very weird coincidences out there. And I do have one surefire plot I have not and probably never will write, because of my fear someone will carry it out.
All the plays that have ever been written, from ancient Greece to the present day, have never really been anything but thrillers... Drama's always been realistic and there's always been a detective about... Every play's an investigation brought to a successful conclusion.
R.G. Belsky's thought-provoking thriller, The Kennedy Connection, introduces us to a smart, witty, and human hero whose quest to find answers about two crimes - one famous, one all but unnoticed - is loaded with tension and full of unexpected twists and turns. I loved The Kennedy Connection, and can't wait for the next Gil Malloy novel.
The fact is that I like thrillers and action movies. But what really fulfills me is getting out of my comfort zone, taking chances.
Zombies don't run. They don't dance. They don't say, "More brains." There is no Thriller Night. Those are stereotypes that are perpetrated by Hollywood, which I think is very irresponsible because it can get you killed.
If you can get the audience to talk to the screen, I just thought that was so cool, and I wanted to do that. And I just leaned towards the scary and the thriller. I find it very emotional. I want to make emotional horror. If I can make you cry, than you have a full experience.
If you write thrillers or mysteries or horror fiction or quote-unquote speculative fiction, men might read you, and the 'Times' might notice you.
I love reading. I'm very much into history, novels, biographies and I have a wide range of thrillers.
I'm not interested in parts where they are looking for a good-looking guy. I want to be a weird little sidekick in a crazy comedy and then play like a dark drama or a thriller.
The key to thrillers is vicarious pleasure.
The thriller is not a recent invention. It probably goes back to the dawn of storytelling.
The way to write a thriller is to ask a question at the beginning, and answer it at the end.
You know, people call mystery novels or thrillers 'puzzles.' I never understood that, because when I buy a puzzle, I already know what it is. It's on the box. And even if I don't, if it's a 5,000-piece puzzle of the 'Mona Lisa', it's not like I put the last piece in and go, 'I had no idea it's the 'Mona Lisa'!'
I am, after all, a thriller writer. I routinely delve into the darkest chambers of the human heart. I've written about murder, kidnapping, depravity, horror, violence, and disfigurement.
I don't find any real rivalries with crime and thriller writers anyway. That might sound a little Pollyanna, but for the most part the writers I compete with, if you want to use that word, it's a pretty friendly rivalry. I think we all realise that the boat rises and sinks together.
A good writer can set a thriller anywhere and make it convincing: the trick is to evoke the setting in such a way that it highlights the crime or unsettles the reader.
The book I always say that influenced me, subconsciously, because at the time I didn't know I wanted to be a writer, was William Goldman's 'Marathon Man.' That was the first adult thriller that I loved. I read it when I was 15 or so, when my father gave it to me.
I'd been a thriller reader all my life.
The Strokes can play anything. They could play 'Thriller,' and it would just sound like 'Thriller' as played by the Strokes.
I'm somebody who likes codes and ciphers and chases and artwork and architecture, and all the things you find in a Robert Langdon thriller.
I like all of the mental, psychological thriller movies too. I enjoy horror movies across the board.
The characters you refer to as predatory and unsavory are useful. They're the ones who make a novel into a thriller. They're active, and most of the common virtues, the signs of a good person, are not.
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