I don't have the educated knowledge of what textures, colors, shapes and spaces need to be put together to make something just right. I'm learning it by trial and error, which is something that's slow going.
I love playing with words and texture.
The shape and texture of fruit is sensuous and fascinating, but the true delight blossoms when you experience the flavor of these colorful gifts of nature.
I studied shades, textures by painting after the Old Masters, the classical European paintings, as part of my educational process.
Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.
Did I choose my hair texture? No. I'm grateful for having this hair on my head.
With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to the point that we had to figure out how to light them up. So that was a huge undertaking.
I'm not a risk taker physically. I just have no interest in swinging myself off a mountaintop or parachute gliding or skiing down a totally vertical drop. These things don't interest me in the slightest, but I get so caught up in the color or the texture of the sounds of something. That's so funny to me.
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