Too many companies want their brands to reflect some idealised, perfected image of themselves. As a consequence, their brands acquire no texture, no character and no public trust.
I abstract it in my photographs: I like large planes and spaces, areas of texture and light, like deserts or oceans or monumental places.
I love bringing the colors and textures of other cultures. If I wear a dress that I bought from a street vendor in Bali on a red carpet, it's a way of bringing my travels with me.
Who taught you to hate the color of your skin? Who taught you to hate the texture of your hair? Who taught you to hate the shape of your nose and the shape of your lips? Who taught you to hate yourself from the top of your head to the soles of your feet?
We have inherited a great music. This music is a holdover. It comes with us like the skin, the texture of our hair. It's our memory banks.
The color, the shape, and the texture--none of it is accidental. Every item we wear has a glorious (or sometimes not so glorious) history, and that history extends back years--centuries, even--before Oscar de la Renta's 2002 collection.
Within two hours of where I live, you have mountains and desert as location. I like the natural elements that abstract into light, texture, shape and shadow.
Americans are curious about the texture of everyday life in the Middle East because they rarely get to see it. I wanted readers to feel like they were sitting around the dinner table with me and my friends, hearing what average people really say and really think, [where] the dinner table is the best place to find out.
I came to realize that far more important to me than any plot or conventional sense was the sheer directionality I felt while reading prose, the texture of time as it passed, life's white machine.
The inspiration starts with the armor my parents collected. The references are subtle, whether in the mix of textures (woven, quilted, pleated) or in the tapestry brocades and florals. The focus is on clean, strong silhouettes with bold embellishments. Accessories reflect the mood - belts with chain details, lace-up ghillie heels and muffs.
I happen to love coconut, particularly for that sweet and crunchy texture it adds to any dish.
I have scars on my hands from touching certain people...Certain heads, certain colours and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand. Oh God, if I'm anything by a clinical name, I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.
One of the many things I love about bound books is their sheer physicality. Electronic books live out of sight and out of mind. But printed books have body, presence. Sure, sometimes they'll elude you by hiding in improbable places... But at other times they'll confront you, and you'll literally stumble over some tomes you hadn't thought about in weeks or years. I often seek electronic books, but they never come after me. They may make me feel, but I can't feel them. They are all soul with no flesh, no texture, and no weight. They can get in your head but can't whack you upside it.
If busyness can become a kind of violence, we do not have to stretch our perception very far to see that Sabbath time – effortless, nourishing rest – can invite a healing of this violence. When we consecrate a time to listen to the still, small voices, we remember the root of inner wisdom that makes work fruitful. We remember from where we are most deeply nourished, and see more clearly the shape and texture of the people and things before us.
I am inspired by anything beautiful. Sometime it's a pair of eyes or flowing gorgeous hair, other times it's the sky or a sunset. I've been inspired by supple skin or the texture of a soft shirt.
Life demands sacrifice and difficult decisions from us at every moment. Living does not mean passing through a void of nothingness but rather through a web of relationships among beings, each with their own weight and volume and texture.
Enya never writes a bad melody. That's first and foremost her secret. As she goes along, she'll start changing the dynamics, pushing here and there so that not everything is perfectly in unison. It adds a texture you can acquire only from having different voices. The variations lead to interesting quirks. It's an integral part of the Enya sound.
The needs of mankind are universal. Our means of meeting them create the richness and diversity of the planet. The Montessori child should come to relish the texture of that diversity.
Coming from California and growing up where I did, I've always had a fondness for and innate sensitivity to light, texture, and warmth.
A well-fashioned day - with a beginning and an end, a purpose and a content, a color and a character, a feel and a texture - takes it place among the many and becomes a valuable memory and treasure. At midnight the winged messengers come and gather up all these pieces and take them off to wherever the mosaic is kept. And surely, on occasion, one messenger says to another, 'Wait 'til you see this one.'
An oil massage, a hot bath, a good night's sleep, soft smells and music and clothes with soft textures denote sensuality to me.
Where Snah [Hans Magnus Ryan] is a melody and texture man, I am more of a riff, rhythm and concept guy. I am much better than him in certain fields, and he surely wipes the floor with me in others, and we both know it's like that.
That one time I had ma Latina texture going on.. Or just.. everyday.
I'm married to an artist. I get a lot of inspiration from art, from the lighting in art, from the compositions in art, from the textures, and all of that. I'm always playing with it.
If you ever get really dressed up for a party, you get a feeling from the reactions of people that you don't need to be that loud. It's the same when you act. You have to always consider what's around you and the texture of things and try to meld in with what's going on.
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