Now now, Emily, it isn't nice to tell the truth.
As you grow up, always tell the truth, do no harm to others, and don't think you are the most important being on earth. Rich or poor, you then can look anyone in the eye and say, 'I'm probably no better than you, but I'm certainly your equal.
The young are not afraid of telling the truth.
WARNING: The following is a transcript of a digital recording. In certain places, the audio quality was poor, so some words and phrases represent the author's best guesses. Where possible, illustrations of important symbols mentioned in the recording have been added. Background noises such as scuffling, hitting, and cursing by the two speakers have not been transcribed The author makes no claims for the authenticity of the recording. It seems impossible that the two young narrators are telling the truth, but you, the reader, must decide for yourself.
[Everyone needs] a woman who'll listen, take your side, tell the truth - or not, as you need it. A woman you can count on, no matter what, and who'll love you no matter how much you screw up.
One of the drawbacks to life is that it contains moments when one is compelled to tell the truth.
I wished to tell the truth, for truth always conveys its own moral to those who are able to receive it.
If you tell the truth, then you don't have to have a good memory
The Kafka paradox: art depends on truth, but truth, being indivisable, cannot know itself: to tell the truth is to lie. thus the writer is the truth, and yet when he speakes he lies.
And I'm going to tell the truth: I didn't like that Sean Penn movie Into the Wild so much. Yes! I know it was critically acclaimed. I know it won all these awards! It's very sad that a boy is dead and all. But I thought the movie Enchanted, with the singing princess and the chipmunk and the people dancing in Central Park, was cuter. So there!
I hate solitude but I am afraid of intimacy. The substance of my life is a private conversation with myself and to turn it into a dialogue would be equivalent to self-destruction. The company I need is the company which a pub or a cafe will provide. I have never wanted a communion of souls.
I told him the truth, that I loved him and didn't regret anything about our lives together. But do we ever 'tell the truth, the whole truth, and nothing but the truth, so help me God' as my father used to say, to those we love? Or even to ourselves? Don't even the best and most fortunate of lives hint at other possibilities, at a different kind of sweetness and, yes, bitterness too? Isn't this why we can't help feeling cheated, even when we know we haven't been?
Just tell the truth, and they'll accuse you of writing black humor.
Don't lies eventually lead to the truth? And don't all my stories, true or false, tend toward the same conclusion? Don't they all have the same meaning? So what does it matter whether they are true or false if, in both cases, they are significant of what I have been and what I am? Sometimes it is easier to see clearly into the liar than into the man who tells the truth. Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.
Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.
That's the trouble with a story spinner. You never know what's real and what's made up. Even when they are telling the truth, they can't stop themselves from spinning it into something better; something prettier, with more of a pattern to it.
There are few reasons for telling the truth, but for lying the number is infinite.
Truth is generally the best vindication against slander
fiction is the great lie that tells the truth
When one of us tells the truth, he makes it easier for all of us to open our hearts to our pain and that of others.
The great thing about fiction is that you can start off by telling the truth, then start making stuff up like crazy whenever you feel like it.
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.
Everyone has the right to tell the truth about her own life.
Let's tell the truth to people. When people ask, 'How are you?' have the nerve sometimes to answer truthfully. You must know, however, that people will start avaoiding you because, they, too, have knees that pain them and heads that hurt and they don't want to know about yours. But think of it this way: If people avoid you, you will have more time to meditate and do fine research on a cure for whatever truly afflicts you.
All we can do is go around telling the truth.
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