It's hilarious to be considered a sex symbol. In school I was a beanpole with a nose I hadn't grown into. Being thought of as sexy makes one employable, but it's not going to last forever, so I try not to think about it. It's like something that exists outside of me.
I don't like looking at awards everyday because I feel like they can make you lazy. So, I give them to my Mom and let her look at it everyday. They are symbols of the hard work she put into me. Her sacrifices allowed me and my team to win those awards. But I don't look at any awards everyday.
McWorld is a product of popular culture driven by expansionist commerce. Its template is American, its form style. Its goods are as much images as matériel, an aesthetic as well as a product line. It is about culture as commodity, apparel as ideology. Its symbols are Harley-Davidson motorcycles and Cadillac motorcars hoisted from the roadways, where they once represented a mode of transportation, to the marquees of global market cafés like Harley-Davidson's and the Hard Rock where they become icons of lifestyle.
There was a generation of kids who were just kind of emulating distant heroes and wearing peace symbols, and parents who were thinking of themselves as liberal and removed from barbarity, but it also was the era of Vietnam. I very much was influenced - and I think the whole country was kind of in a state of shock - for the first time seeing the horror and cruelty of war.
I am attracted to fantastic writing, and fantastic reading, of course. But I think things that we call fantastic may be real, in the sense of being real symbols.
If I write a fantastic story, I'm not writing something willful. On the contrary, I am writing something that stands for my feelings, or for my thoughts. So that, in a sense, a fantastic story is as real and perhaps more real than a mere circumstantial story. Because after all, circumstances come and go, and symbols remain.
The Charkha is an outward symbol of truth and nonviolence.
The Charkha is the symbol of nonviolence on which all life, if it is to be real life, must be based.
And really, the reason we think of death in celestial terms is that the visible firmament, especially at night (above our blacked-out Paris with the gaunt arches of its Boulevard Exelmans and the ceaseless Alpine gurgle of desolate latrines), is the most adequate and ever-present symbol of that vast silent explosion.
I am not a sex symbol.
The history of art cannot be properly understood without some reference to the history of science. In both we are studying the symbols by which man affirms his mental scheme, and these symbols, be they pictorial or mathematical, a fable or formula, will reflect the same changes.
The "brightness" of the 15 percent might or might not indicate a profound feeling for the causes of things; it is largely verbal and symbol-manipulating, and is almost certainly partly an obsessional device not to know and touch risky matter, just as Freud long ago pointed out that the nagging questions of small children are a substitute for asking the forbidden questions.
Running, close companion to death, summons us to the most vivid acts of life. Our ancestors (we have forgotten) ran for food and for love, love and lust. For us, a prime symbol of sexuality is the automobile. For the ancients it was the chase, the foot race. Satyr and nymph, maiden and god, hot pursuit. The mythic hunters, Diana and Atalanta, available only to the males, men or gods, who could outrun them; death to all others.
In 325 A.D., the Roman Emperor Constantine decided to unify Rome under a single religion ... Historians still marvel at the brilliance with which Constantine converted the sun-worshipping pagans to Christianity. By fusing pagan symbols, dates, and rituals into the growing Christian tradition, he created a kind of hybrid religion that was acceptable to both parties.
As far as I'm concerned, the sexiness, the sex symbol, it's not a consideration.
I think that superhero comics in particular are really useful for talking about big emotions and feelings, and personifying and concretizing symbols.
As far as I've been alive, women have always been more or less the symbol of sexuality rather than the male. We don't see the naked male body, as the symbol of sex.
We're historians and above all want to write about what was. Our book doesn't deal with legacies. It also wasn't our goal to destroy a legend. We consider Walesa to be a national symbol. He led Solidarity and remains an icon. But he also worked with the secret police under the name Bolek. The truth isn't always simply black and white.
Cuba has become a symbol of courageous resistance to attack. Since 1959, Cuba has been under attack from the hemispheric superpower.
I think the leadership of a company should encourage the next generation not just to follow, but to overtake. The duty of leadership is to put forward ideas, symbols, metaphors of the way it should be done, so that the next generation can work out new and better ways of doing the job. The complaint Gordon and I have is that we are not being overtaken by our staff. We would like to be able to say, "We can't keep up with you guys", but, it is not happening.
Art, I suppose, is only for beginners, who have made up in their minds to be content with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.
In a symbol there is concealment and yet revelation: here therefore, by Silence and by Speech acting together, comes a double significance.
To me, every dirty act was simply a sacrament of sin, a passionately religious protest against Christianity, which was for me the symbol of all vileness, meanness, treachery, falsehood and oppression.
For most of the world, there's no greater symbol of America than the Statue of Liberty. It has been an inspiration to generations of immigrants. One of these immigrants was a poet-writer named Ameen Rihani. Gazing at her lamp held high, he wondered whether her sister might be erected in the lands of his Arab forefathers. Here is how he put it: "When will you turn your face toward the East, oh Liberty?"
Nothing can be more fatal to progress than a too confident reliance on mathematical symbols; for the student is only too apt to take the easier course, and consider the formula not the fact as the physical reality.
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