The whole trial seemed surreal.
A record is something that isn't real or true. It's like cinema. It's a construction of something hyper-real and surreal and unreal all at the same time. You make a space that doesn't really exist. One of the big joys of being in this line of work is building the recorded versions of the songs.
... You get surreal numbers by playing games. I used to feel guilty in Cambridge that I spent all day playing games, while I was supposed to be doing mathematics. Then, when I discovered surreal numbers, I realized that playing games IS math.
Every kid dreams of playing in the NFL or MLB and I was that 27-year-old that dreamed of fighting in the UFC. It was kind of surreal to see that I have actually accomplished what I set out to do. It's better than I could have ever imagined.
Well, it might have been if I'd had success earlier in life, but having success that much later meant I was far more grounded when it came. The last few years of my life have just been surreal and after a lifetime of disappointment and heartache and rejection, I still don't believe this is all actually happening. I'm extremely grateful for my success - I just never expect it to last and my motto, if I have one, is just put your head down and do the job.
I don't like to think that people recognize who I am when I'm out and about, and anyone who comes up to me in real life can testify that I suddenly clam up and get very nervous. People asking me for my autograph in H&M was beyond surreal.
I definitely have recurring dreams. My dreams are crazy and surreal, which is why I appreciate Carl Jung, 'cause I feel that there has to be some kind of correlation. My dreams are like surreal sci-fi thrillers, and I don't spend time watching stuff like that. I never grew up on stuff like that. I've always just had very, very vivid dreams. This is awful to say, but, lately, I've been dreaming about witnessing murder a lot. What does this mean?
It was fun to play that surreal high school life [in Jawbreaker]. I was a huge fan of the movie Heathers. But I think at the time - you know, when the movie was released, it was a very limited release, and it didn't do very well at the box office. And I love the fact that it has found legs and that the audience has kept growing and growing over the years.
I hate vulgarity. I hate vulgarity even though it attracts me - and it attracts me very much. I love all that is transgressive or vulgar. But in my opinion, it has to reach a limit that is always a little surreal and never becomes in your face.
It is so surreal to come into a shop and see pictures of myself everywhere and hear my album playing.
Usually the casting process is lengthy and humiliating, but in this instance, The Ghost Writer, it was just too easy. I was sitting in a rental car on an L.A. street and my cell phone rang, and it was Roman Polanski on the line. I couldn't really believe my luck. He said, "See you in Berlin." I sat staring at a palm tree, thinking how surreal that was.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.
I think the film and TV industry - the acting world - has a tendency to attract a lot of people for the wrong reasons; reasons that are less than artistic. It has a tendency to be pretty superficial, and pretty shallow and fake. I think what New Zealanders and Australians - and the English, I guess - have to offer is that we don't carry a lot of that baggage. We come over and we're pretty grounded. But on the flip side of that, you end up in a very unfamiliar environment being treated in a way that's a little bit surreal.
The religious cant that will send American troops into battle is perhaps the most sickening aspect of this surreal war-to-be. Bush has an arm-lock on God. And God has very particular political opinions. God appointed America to save the world in any way that suits America. God appointed Israel to be the nexus of America's Middle Eastern policy, and anyone who wants to mess with that idea is a) anti-Semitic, b) anti-American, c) with the enemy, and d) a terrorist.
Obviously, we suppress things, emotions, things during the day - thoughts that we obviously haven't thought through enough, and in that state of sleep when our subconscious, or mind just sort of randomly fires off different surreal story structures, and when we wake up we should pay attention to these things.
American art in general... takes to surreal exaggerations and metaphors; but its Puritan work ethic has little use for the playful self-indulgence behind Parisian Surrealism.
Leaving a role is a terrible sadness. The last day of the shooting is surreal. Your soul, your body and your mind are not ready at all to see the end of this experience. In the following months after a film shoot, one feels a deep sense of void.
Spaghetti Westerns are really brutal and operatic with a surreal quality to the violence.
Years ago, I was thinking about this type of character and what happens when you've lived in this sort of strange, surreal world where it's parties all the time and then you don't get to live there anymore. What do you do with the rest of your life?
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
I find the past so fascinating. Photographs are strange, almost surreal, almost here yet gone. I slip into thinking what the past must have been like and I enjoy creating that ambience and atmosphere - 1730 to around 1870 is the most interesting period.
Sometimes it’s just surreal out there, while you’re running a marathon. People just standing out in the cold, even the rain, cheering for you, blasting music for you. It’s an awesome show of camaraderie and community.
A solid base for any comedy is just honesty and truth, and it coming from a real place. As surreal as this show gets and is, ultimately, we're dealing with a character that most can't see the way that I can see it.
When I started experimenting with fantasy and horror films and looking for characters who had some sort of emotional or mental difficulty, I saw opportunities to express my music - dare I say art - in a way that I could get a bit surreal.
Just because a thing can't be done doesn't mean it can't be did. We all look into mirrors and see phantoms. Our error is our Eros. Why is there something instead of nothing? The answer is reckless and surreal.
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