Studios Quotes - Page 6

• My worlds are completely different. Painting is a peaceful world, and it's a different vibe than having a great match. You are able to look back at what you created when you finish. Recording music is an entirely different monster. When you finally write something, you do a demo and then you go into the studio. Doing the master version, that's the best feeling ever - especially when you're so proud of what you've written, and you can't wait for people to hear it. That's actually very similar to trying to tell a story in a wrestling match.

  Jeff Hardy

  Writing, Wrestling, People

  Source: www.si.com

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• I wrote another wrestling film script. And we finished the shooting [with Lloyd Phillips]. But Henry Winkler came out with his own wrestling film, which did poorly. So the studios passed on ours, and it never got released.

  John Ratzenberger

  Wrestling, Scripts, Shooting

  Source: www.starwars.com

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• I think it's not an easy task because there's not enough Latino writers that are being given opportunities to write things - and I say this because I've been given a lot of bilingual movies in the past because of my career in Mexico, and they're like, "Oh, it's going to make sense for her to do this." A lot of studios want to hit that demographic, but they sort of do it without starting in the right way, which is having someone who knows the culture, and enjoys the language as well, to be able to write these things.

  Karla Souza

  Writing, Past, Opportunity

  Source: www.sheknows.com

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• The radio voice, you're in the studio, there's nobody around, and you're using your personality and enunciation skills to get the message across. At the stadium, there are vendors, there are people, the fans talking to each other. It's very difficult. If you were to speak as a radio disk jockey, no one would ever understand what you're saying.

  Charlie Brotman

  Talking, Skills, Voice

  Source: www.slate.com

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• That's one of the things I haven't had time for in my personal life, is art, and I probably should make more time for it. I also don't have space where I'm living right now to set up a studio, but I'm sure at some point, I will.

  Michael Graziadei

  Art, Living Right, Space

  Source: soaps.sheknows.com

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• I am optimistic. I think that there are a lot of women producing things, not necessarily in the studios. Actresses are putting stuff together. I think there are more stories about women of color [and] older women. But it is slim pickings.

  Susan Sarandon

  Optimistic, Thinking, Color

  Source: www.washingtontimes.com

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• I just go in the studio and do what I love to do. People will be people, they'll come and go, they'll like you then not like you, I just try to stay true to myself first and that's what most important because that way when you are successful you can stand up and say look, I did it my way and I did it the way that I wanted to do it.

  Ginuwine

  Successful, People, Important

  Source: youknowigotsoul.com

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• I've become more confident in who I am as an artist and as a person. I know what I want and am not afraid to voice it in the studio. Or in life. Take it or leave it!

  Tina Parol

  Artist, Who I Am, Voice

  Source: www.fanbolt.com

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• Studios are mercurial kind of creatures. A lot of the times getting a movie out can be as much luck as anything else.

  Eric Heisserer

  Luck, Kind, Creatures

  Source: www.mtv.com

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• Like Ron Lorman's always sayin', "Na-na-na-na-na," you know what I mean? I don't need that in the studio.

  Miles Davis

  Mean, Needs, Knows

  Source: hepcat1950.com

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• I took a complete year off the road, but a big part of that year was making 'The Big Revival.' I needed that down time just so I could concentrate. The one thing that starts it all for us is the music. That's what you create in the studio. That's where the magic happens.

  Kenny Chesney

  Years, Magic, Revival

  Source: www.chicagotribune.com

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• I think the films and the paintings erase each other. The paintings are extremely slow and constantly going on in the studio - they're constantly regenerating themselves in this slow, monotonous way that's a physical struggle and can be a pain in the ass. They're all based on very specific math and diagrams. And the films, when I'm making them, are very fast, very collaborative, with a lot of improvisation.

  Sarah Morris

  Pain, Struggle, Math

  Source: www.interviewmagazine.com

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• That's what I strive for every time I'm in the studio, to make sure that y'all love it and that I'm not giving y'all something I'm expecting you to buy. I want y'all to want to buy it and want to hear it again. If you like it, go get it, if you don't, throw it out.

  Willie Taylor

  Giving, Want, You Like It

  Source: youknowigotsoul.com

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• When we finished [training with my wife] we came to St. Paul, because St. Paul was the first place where we got a job offer and we needed some sort of a job to earn some money in order to set up our own studio. It's rather ironic that this job offer came originally through the Walker Art Center.

  Warren MacKenzie

  Art, Jobs, Order

  Source: www.aaa.si.edu

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• We asked a lot of questions and we watched everyone who was working in the studio. And we had an opportunity to sit in on discussions, aesthetic discussions at the pottery, which took place generally over tea breaks in the morning and afternoon. So we learned a lot just from being around there [with Bernard Leach ].

  Warren MacKenzie

  Morning, Opportunity, Tea

  Source: www.aaa.si.edu

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• We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some 10 or 12 years previous to our arriving [at Bernard's Leach studio]. And we, being, I guess you would say young, arrogant Americans, thought that we ought to be able to somehow express ourselves a little bit more in the daily work of the pottery.

  Warren MacKenzie

  Years, Clay, Arriving

  Source: www.aaa.si.edu

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• Eventually I gave up teaching at the St. Paul Gallery because of disagreements with the philosophy of that museum, and I got a job at the University of Minnesota, which was very fortunate because it was a part-time job and that gave us a great deal of time in our studio to work together and to make the pots we wanted to make.

  Warren MacKenzie

  Jobs, Philosophy, Teaching

  Source: www.aaa.si.edu

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• [Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.

  Warren MacKenzie

  Drawing, Mind, Quality

  Source: www.aaa.si.edu

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• In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio, which was press-molded forms, plastic clay pressed into plaster forms to make small rectangular boxes and some vase forms, which he liked to make. These were molds which had been made to an original that he had modeled in solid clay, and during our work there, sometimes I would be pressing these forms as a means of production.

  Warren MacKenzie

  Mean, Pottery, Littles

  Source: www.aaa.si.edu

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• I always forbade everyone to clean my studios, dust them, not only for fear they would disturb my things, but especially because I always counted on the protection of dust. It's my ally. I always let it settle where it likes. It's like a layer of protection.

  Pablo Picasso

  Dust, Allies, Layers

  Source: www.americansuburbx.com

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• The only recording studio was in Motown - it was called Tamla/Motown at that time and we used to audition there because Smokey Robinson was at that studio and Berry Gordy was the president. I remember asking Smokey to listen to my group and he did. For the first couple of years we were just singing background. We used to back up Marvin Gaye; Mary Wells was there then, Marv Johnson, the Marvelettes, Martha Reeves and the Vandellas, Junior Walker and the All-Stars.

  Diana Ross

  Stars, Couple, Years

  Source: www.interviewmagazine.com

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• I have such memories; I keep thinking about all the people I worked with. I was in the recording studio and I was talking to one of the engineers who is 24 and they don't know these people. They just absolutely don't know the people and it just tickles me. I don't feel like I've grown up.

  Diana Ross

  Memories, Thinking, Talking

  Source: www.interviewmagazine.com

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• I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.

  James Van Praagh

  Long, People, Office

  Source: www.cyinterview.com

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• I want studios that make story-based games to start taking their stories more seriously. And that doesn't mean hiring a big shot writer from Hollywood; it means that story becomes integral to making your game. I don't see how you can achieve that without having an in-house writer that sits next to the designer, helping them make their levels, talking with the engineers about where we can tell the story more dynamically, pushing at technology.

  Neil Druckmann

  Mean, Technology, Talking

  Source: za.ign.com

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• As soon as you start making a film that's expensive then the studio wants total control over all elements of it because they want to get all their money back. If you make a smaller film you can try a lot more things because you can have control over it and not just be a hired director. The lower the budget the more freedom you have.

  Jim Jarmusch

  Trying, Directors, Elements

  Source: louderthanwar.com

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