Well, especially now I come to realize - and then - I would do my schooling which was three hours with a tutor and right after that I would go to the recording studio and record, and I'd record for hours and hours until it's time to go to sleep.
I have no philosophy, my favourite thing is sitting in the studio.
In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
I can't leave the studio until everything is as it should be. And I can't put a record out unless I am completely happy with it. I never want to be at a signing and hear my album playing and think, 'Oh no, I could have done that top note better.'
From 1985 to 1994, I lived in Manhattan in a big old loft right off Times Square. I could walk to work, which was in a couple of Broadway theaters, to Howard Stern's studio, and to 30 Rock for 'Letterman' and 'SNL.' Even in New York, walking to work is homey and folksy, like living in a small town.
I thought 'Borat' was a breakthrough comedy, because it was really funny. It wasn't some studio-produced script with 14 writers.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
When I sit down to write a song, it's a kind of improvisation, but I formalize it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I'm about to do.
I love good film, whether it's an independent or studio film. The independent films, I think the good ones aren't necessarily eccentric ones but they're the more specific ones.
I've got the best of all worlds. It's every actor's dream to wake up in New York City and go to an acting job rather than to a restaurant to wash dirty dishes. And I live so close to the studios that I ride my bike to work.
I hate formal stuff. I love looking like a doll and all that stuff and playing dress up, but when I'm home, sweat pants, t-shirt. When I'm in the studio, sweat pants, t-shirt.
I walk into the studio and we're all so happy to see each other.
The way I work on music is that I go into my studio, and I start playing music, and I see what happens, and... I never think about it.
My job of being a musician in a recording studio has nothing to do with being a musician being on tour performing.
Somehow, magically, I've become an electronic musician, and I have a recording studio that looks like the bridge of the Enterprise.
It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.
Only the public can make a star. It's the studios who try to make a system out of it.
If a star or studio chief or any other great movie personages find themselves sitting among a lot of nobodies, they get frightened - as if somebody was trying to demote them.
I have ambitions to do a Broadway record one of these days and get in the studio with like, a real orchestra. I'm a big musical theatre geek.
Typically I go in the studio and whatever I'm contemplating that day will wind up being a song. I don't come in with lyrics... I just go in and let it happen.
And if I had a preference, it would be to be able to not be in the studio until 4 in the morning.
With songwriting I spend a lot of time living life, accruing all these experiences, journaling, and then by the time I get to the studio I'm teeming with the drive to write.
I do feel most at home playing live, but the feeling of getting into the studio to see the new songs take shape was really incredible.
The studios don't seem to foster good writing. They're not so interested in that, but they're more interested in what worked most recently. They're definitely very serious about making money, and that's not a wrong thing, but you don't have to make money the same way all the time.
Every time I get in the studio, I feel like I wanna have some fun. My fun is not doing the easy work. My fun is doing what's me.
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