I honestly just love being in my studio working on music. That's all the inspiration I need. And I don't write with an end result in mind, I just write for the simple love of writing.
I was in George Martin's studio in Amsterdam and he was telling me, 'They come in here and it takes them three days to do a bass line.' Well I'm not from that era.
Traditional publishers will be dominant, and they should be because they really do assure quality. But eBooks, which are huge already, are going to eclipse everything. They will save traditional publishing the way DVDs saved movie studios (for a while) and they'll greatly expand the number of readers.
It's always a shock to the people who run studios when a movie that is for women is a hit. They have an infinite capacity to be shocked.
Who is writing these screenwriting books? Not actually writing for the studios in Hollywood. These are people that have one or a half of a credit on maybe one movie, or none. So they're all theoretical.
I never thought I would write the way that I write for the studios now, which is like, not little novels, but be someone who literally is more like, you know, sometimes I guess we describe, we're more Salieri than Mozart.
For a living I write stuff that I know is gonna sell to a studio and make a lot of money at the multiplex.
Being a working person who works for the studios. It's a minefield and there's tons of stuff you need to know. And people mess it up all the time.
Not taking criticism of your writing personally is an enormous step towards surviving the studio system.
If a muse knocked at our studio door tomorrow, how many of us would even notice?
I haven't done a lot of studio movies, but studio movies and independent films are always just as fun as each other.
There's a band of studio session - hot players - that play on my albums... They're an eclectic bunch of misfits that I've worked with for years and years.
That's what so great about making movies. It's that you get to do stuff you never would be able to do in real life. You get to go to a recording studio, you get to go to Navy ships and fly all over the world for press. And it's just a great job.
I think the way WWE Studios is going now - they're going away from action, doing more drama, more comedy - it will open a lot of people's eyes. Because a lot of people see big guy, big frame: action superstar. We've proven, especially with 'Legendary,' that that is not always the case.
Backup dancers are completely respectable. They're the studio musicians of dance.
I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
I'm never tired of going to the studio. I enjoy recording and documenting everything and trying new things.
I wanted to use the studio like a microscope for sound, which is what good engineers do.
I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
If the studios paid the artists, how would they ever be able to afford the executives?
Now on the other hand, if someone is selling a product, opening a dance studio, or has some other aim to help themselves, then I tend to look askance at some of these strange stories from outer space.
The actor that taught me the most was Bernie Mac. I did my first big budget studio film with he and Angela Bassett, 'Mr. 3000' for Disney. Bernie taught me by example what creates success is humility and hard work.
I look forward to the future - and going into the studio to make new music.
You cannot just be working in a vast, air-conditioned loft space and think you are going to make a decent painting. Francis Bacon had a special studio built, and he felt completely emasculated in there. I have to be somewhere comfortable.
I don't think money can help you become a better painter, for sure. You can have all the studios you want; it won't help you make a better painting.
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