My studio is a fantastic combination of old and new, and that's how I've always liked to work.
When I was in my studio I didn't give a damn what sex I was... I thought art is art.
When I was making a shift... from one thing to another I didn't want to be answering questions: 'How come you're doing this?' 'How come you're doing that?' so I didn't allow anyone in my studio and I just worked away in there.
In the bedroom darkness I may visualise a way of making a painting. I can see it - if I do this and this and that and this, my God! Why haven't I seen this until now? I can hardly wait to get to the studio and make the vision real.
Things have changed a great deal since the days of Mr. Mayer. The studios no longer control, as they did in those days, artists or directors or producers, as the case may be.
The only thing I'd ever done with news was to read copy sitting at the microphone in the studio.
The photoshoot glitz and TV studio make-up isn't the real me. I spend most days at home in Bristol in jeans and a T-shirt running around after the kids or shopping in the Co-op.
Then in college, besides economics, I also majored in studio art and got involved in photography and making short films and acting. But I didn't know you could make a living that way.
I had a truly horrible dream last night ... [Arnold Schwarzenegger, Mike Tyson and I] were on our way to a TV studio for a debate about his long-time working friendship with the powerful Bush family from Texas and how it might affect the next Bush presidency when The Terminator seizes power in Sacramento and tries to hand over the state's 54 electoral votes by election day in 2004. That is the basic plan behind Schwarzenegger running. He doesn't want to be Governor, he just wants the electoral votes to go to Bush this time.
My landlord lives in the flat at the bottom of the stairs. I rent a studio flat from him, and live at the top of the staircase. There are two more flights of stairs and four more flats, but it’s me he is obsessed with.
I could never work in a recording studio where you have this lovely view and a beach and the waves are crashing. For me, it's all about being in a tiny room with little windows. It's almost like you have to be in a prison. And you can create beauty when you're in that sort of deprived environment, which is a re-creation of your formative years.
Lil Wayne is a person who I think is really deserving of the success he's had. I'm someone who can stay in the studio 24-7, and I've watched him stay in there just as long. He has a creativeness about him that I love.
I go to the club just like a normal person. I might go to the studio, but I go everywhere like a normal person would.
A studio is a good place to smoke your pipe.
As far as outdoor work is concerned, a studio is only a garage; a place in which to store pictures and repair them, never a place in which to paint them.
When I speak now, my experience in art wells up so articulately that I am surprised even while I am talking. I move around a podium as easily as if it were my living room and although I am keyed up I am not anxious. I feel as if I were doing what I should be doing - the feeling I have when intent in my studio.
When I start to paint, it is real agony. I get nervous. The day before, I am already working up to it. Then I get to the studio and, once the image starts to emerge and come together, pleasure kicks in. And then you can see things that no other person can see.
Artists should imprint their handwriting on the work, because if they give a piece to a fabrication studio, the craftsmen there may actually be too perfect; you don't see the quirks that the artist would have developed.
When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound.
Actions which are conscious expressions of the turn-on, tune-in, drop-out rhythm are religious.The wise person devotes his life exclusively to the religious search - for therein is found the only ecstasy, the only meaning. Anything else is a competitive quarrel over (or Hollywood-love sharing of) studio props.
The studio people want me to do "Good-bye Charlie" for the movies, but I'm not going to do it. I don't like the idea of playing a man in a woman's body - you know? It just doesn't seem feminine.
Pixar is the first studio that is a movie star.
I wanted to keep the music very electronic, very filmic, and give it an almost sci-fi like quality. Music is a necessity for me. I go into the studio at least five days a week, every week, so once I had the idea and the template, the process was quick and fun.
I'm so hard on myself that when I'm in the studio, I'll write 10 songs and only use one. So those nine songs that are left over, I always think, 'Where could these go? Who could they be for?'
When I did TV shows and movies, the studios did demographic research. They were shocked to find that my audience isn't just men who are too drunk to turn off the TV after football. It's women, too. I don't know exactly why, other than that I've tried to remain true to myself for all these years. I have gone through a lot, and I've been open about it. Maybe they look at me and can see how you can grow up, have children, continue to be sexy, get married and divorced and, though you grew up poor, live the American dream. I'm very blessed. I'm happy for it all.
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