I just don't think it's healthy to only have one pursuit, even if it's a seemingly positive thing. You can do a positive thing to the nth degree, and it turns on you at some point. You become stuck.
I think that divorce is a vital escape hatch for people stuck in marriage and it is not a sentence of doom either for adults or children. The community should develop better support systems for saving or restoring potentially healthy marriages.But we should also help people who decide to divorce have healthier partings.
I'm at the point in my career now, where I can take a bit of time to find exactly what roles are that I want to do and not work myself into a corner. I love acting and I love who I'm becoming, as I evolve as a human being. My work is an important part of me, which may or may not be healthy, so I need to do things that I love. I want to tell interesting stories, discover things about myself, and other people. The only way to do that is to not take jobs that feel repetitive or boring to me because then you're stuck doing that job instead of finding the thing that speaks to you.
Democrats can't survive in any kind of adversity. Look at how they're crying and whining like a bunch of stuck pigs over the mean Russians.
Americans give you the violence, Europeans give you the sex. I think people have been saying that since the 70s. And I think it's kind of pathetic that Americans are still stuck - on the shock value of violence, when sex is such a natural thing for everybody.
People sometimes are so confident in their flawed beliefs that they get stuck - fixated - and as a result are blinded to insights that are right in front of them.
When I was starting out, it seemed like there were so many girls who were known by their first names, who were unique, who all had idiosyncrasies and characteristics that made them individual. Those girls stuck around; you'd work with them season after season. But now it's completely different.
When I think about what really matters, it's not looking at art that has made the most difference or has been most shaping of the poetry; it's simply living as completely in the world as a politically alert creature, as someone who is both stuck in and also trying to view the historical moment. Folded into all of that, of course, whatever you see in your life.
When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.
Paul Schrader, he's a... son of a gun. He's a very feisty, very straightforward guy. He's your auteur director. He sent me to a fat farm down in Palm Springs, I think it was, and got mad because he said, "You're just getting massages and backrubs!" He got the bill, he looked at the itemization, and he said, "You're not doing anything to lose weight! I could've had William Hurt for this part!" And I said, "Well, you're stuck with me, so..." He was funny, though.
I am making an effort to truly live. I don't mean to imply by that that I haven't been alive before but, with my son being here and such a powerful force in my life, he's given me a freedom to be more. I think that sometimes we can get stuck, and just the fact that he's here says so much to me about my own existence. I didn't think I'd be able to have children, and this level of blessing is something I can't even put my finger on.
I was a bit of a dozy kid, so everyone just started calling me Susie Bubble and it stuck. Style Bubble is sort of like being stuck inside the style side of my brain. That doesn't sound very appealing, does it?
My first album was more about me making a statement, as I felt like I was kind of stuck in the smaller scene of underground House and Techno when the music I produce actually spanned a much wider range of genres, including the more Pop/Trip Hop stuff and more song-based compositions. Comfort was to kind of show that I wasn't just about one thing. Working on Take Flight was my chance to step back and merge the many worlds of music I enjoy working in and showcase it all through a journey of 24 tracks.
To be honest, I'm usually totally stuck in my own bubble when it comes to the music I produce and the music I listen to, so I don't often have much of an interest about what's on trend or find myself having those conversations. I do find it interesting though, and you definitely hear batches of releases that all sound exactly the same released around the same time, and you can tell that a certain distinct type of track does especially well.
I love working together with Dean McDermott. We love - we actually are a couple that do everything together even when we're not working. So for us, this is the best venue for our relationship because we get to spend all our time together. And I think for other couples, you know, perhaps they didn't spend all their time together and then all of a sudden they were stuck together all the time, and they couldn't make it work. But for us it works.
For most people their ideal life involves an intimate relationship with another person; one which often has a sexual basis. But there's no logic about it; why shouldn't people choose to live together with someone they just like? 'Of course' if we were too unquestioning about it, and we said 'well, that person has got to be someone of the opposite sex, and it's got to be for life, and divorce is terrible', then we're stuck. But if you don't recognize the importance that kind of bond has for human beings - you can't really understand what is needed to live a good life.
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
My political tradition is on the left, but I think that more modern leftists, they sometimes get stuck with this vision of large government and social benefits and everything and that's against what is my position, because I think that the ultimate vision of Marx, Engels, and those people was to eliminate government entities and to give as much power to the people. And in modern standing that means direct democracy, that means all the power to the communities, it means gradually eliminating all government oppression on the society. And 100 years ago, leftists' major allies were labor unions.
When we look at cutting people's commute - like that word infrastructure is boring. Who knows what that means? But what it really means is we got to cut people's commutes, we got to reduce congestion. Congestion costs the economy tens of billions of dollars a year to have people just stuck in traffic and non-productive time. So we got to fix that. And the best way to do that is invest in transit. And - so I'm happy that all three of the main parties seem to agree that investing in transit is important.
There was - there still is - a big shortage of good Chinese-English literary translators. So for two years in London, I was stuck waiting, not writing, with several Chinese books I couldn't get translated. That's when I decided to write in English, since I had been living here and had decided to reconstruct my life here. Even if I wrote in broken English, it was better than getting bored and weary and bitter on the long queue of authors waiting to be translated by a stranger.
I didn't realize what I was doing, but once I realized, I was like "this is a gift, let me do this the right way." I don't gotta rush nothing, I don't have to be impatient. Because when you have a gift with something, it's a blessing. You just use it. You don't have to do anything drastic, because it's in you. People told me what it was, and I just stuck with it.
You don't expect people to go, "music has just been reinvented!" But the hope is that people won't say, "this is the most boring cliché." I mean, that's one of my pursuits, is trying to not become a cliché, or get stuck in that. But even that's a cliché in itself! It's difficult! But I think it's worth it.... It's a real vicious circle there.
Now remember, they say if two people go together to visit the Taj Mahal, that means they will always be together. Are you ready for that? Guess I'm stuck with you then.
Sometimes if I'm stuck on something, I'll have a drink, and it'll get me inspired and ready to keep going. But the trick to that, again, is that you have to drink responsibly! I've learned how to use it sometimes to help my creative process.
I have never thought of my entertainment as being able to bring about social change. I am seriously always looking for the laugh. What it did make me conscious of was having empathy for those without any power in this country. That has always stuck with me.
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