One does not succeed by sticking to convention. When your opponent can easily anticipate every move you make, your strategy deteriorates and becomes commoditized.
Reducing the budget for Amtrak makes no sense unless the Administration is prepared to implement a reform strategy which can be supported by the budget request.
It is what makes the reform process an art, not just a science. You have to develop a strategy that tells you what reform measures you should follow and in what sequence.
First restrain, next blockade, lastly destroy.
When everything on the board is clear it can be so difficult to conceal your thoughts from your opponent.
It is dangerous to maintain equality at the cost of placing the pieces passively.
One charming characteristic of many flank attacks I could mention is that they do not very often lead to simplification: if the attack is parried, there usually are still opportunities left for initiating action in another sector.
Strategically important points should be overprotected. If the pieces are so engaged, they get their regard in the fact that they will then find themselves well posted in every respect.
If in a battle, I seize a bit of debatable land with a handful of soldiers, without having done anything to prevent an enemy bombardment of the position, would it ever occur to me to speak of a conquest of the terrain in question? Obviously not. Then why should I do so in chess?
When I today ask myself whence I got the moral courage, for it takes moral courage to make a move (or form a plan) running counter to all tradition, I think I may say in answer, that it was only my intense preoccupation with the problem of the blockade which helped me to do so.
The infallible criterion by which to distinguish the true from the would-be strategist is the degree of originality of his conceptions. It makes little difference whether this originality is carried to excess, as was the case with Steinitz and Nimzowitsch.
Once we have chosen the right formation in the centre we have created opportunities for our pieces and laid the foundation of subsequent victory.
I often play a move I know how to refute.
I maintain that in every position that arises, we should deliberately search, among other things, for pieces which have no retreat. If we see one, we automatically look to see if it can be netted.
When you play against an experienced opponent who exploits all the defensive resources at his command you sometimes have to walk time and again, along the narrow path of 'the only move'.
You must be able to handle a variety of move orders during the first 5-6 moves - otherwise you'll find yourself 'tricked' time and time again.
Only play into a variation in which your opponent is strong if you have your own personal novelty ready!
The process of making pieces in Chess do something useful (whatever it may be) has received a special name: it is called the attack. The attack is that process by means of which you remove obstructions.
If once a man delays castling and his king remains in the center, files will open up against him, bishops sweep the board, rooks will dominate the seventh rank, and pawns turn into queens.
Play the move that forces the win in the simplest way. Leave the brilliancies to Alekhine, Keres and Tal.
The proper timing of an attacking plan is a difficult matter which places great strain on a player's nerves. Mastery of this art is required for success in the international arena, but perfect mastery eludes even the very best chessplayers!
As long as my opponent has not yet castled, on each move I seek a pretext for an offensive. Even when I realize that the king is not in danger.
When you defend, try not to worry or become upset. Keep your cool and trust your position - it's all you've got.
An innovation need not be especially ingenious, but it must be well worked out.
In the opening a master should play like a book, in the mid-game he should play like a magician, in the ending he should play like a machine.
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